SCRUTINY | Tafelmusik Delivers Musical Thrills With Baroque Diva Karina Gauvin
By John Terauds on March 24, 2017
Tafelmusik Orchestra’s “Baroque Diva” concert program at Koerner Hall a many layered thrill.
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By John Terauds on March 24, 2017
Tafelmusik Orchestra’s “Baroque Diva” concert program at Koerner Hall a many layered thrill.
(Continue reading)By Michael Vincent on March 23, 2017
Part curiosity, part affirmation, what does the decidedly best pianist in the world sound like? In a word: brilliant.
(Continue reading)By Paul E. Robinson on March 20, 2017
Apart from the limited success of the Manual de Falla transcriptions, and the rather short playing time of the CD, Danzas is yet another impressive addition to the Montréal Guitare Trio’s CD anthology.
(Continue reading)By Joseph So on March 20, 2017
UofT Opera takes an unconventional staging approach to Handel's obscure Imeneo, but was it worth it?
(Continue reading)By Joseph So on March 16, 2017
RCM Glenn Gould School Opera Program offers A bare-bones and functional La cecchina, but also a vehicle for some serious talent.
(Continue reading)By Paul E. Robinson on March 15, 2017
Albrecht Mayer offers a well-chosen selection of compositions near flawlessly executed by one of the foremost oboists of our time.
(Continue reading)By Jennifer Liu on March 12, 2017
Opéra de Montréal’s Another Brick in the Wall repacked as a classical rock opera works surprisingly well.
(Continue reading)By John Terauds on March 11, 2017
The Man Who Married Himself speaks to our times, from narcissistic male leadership to the fluidity of gender identity.
(Continue reading)By John Terauds on March 9, 2017
Second TSO's New Creations Festival concert keeps momentum high with an eclectic program featuring Owen Pallett, Nico Muhly, and Aaron Jay Kernis, and Harry Stafylakis.
(Continue reading)By Paul E. Robinson on March 7, 2017
The Cypress String Quartet wraps a 20-year career with a modern, but cold approach to Brahms' String Sextets featuring violist Barry Shiffman and cellist Zuill Bailey.
(Continue reading)