SCRUTINY | Letters From Munich: Don Giovanni
By Joseph So on July 18, 2017
Fresh voices and youthful energy make Gärtnerplatztheater’s Don Giovanni a winner. A look into Munich's second opera company.
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By Joseph So on July 18, 2017
Fresh voices and youthful energy make Gärtnerplatztheater’s Don Giovanni a winner. A look into Munich's second opera company.
(Continue reading)By John Terauds on July 18, 2017
James Ehnes mounts a one-man show, rendered in "high-definition" for the Toronto Summer Music Festival audience.
(Continue reading)By Joseph So on July 16, 2017
Munich Opera presented a solid, authentic performance; however, circumstances posed problems to realising this endeavor for the 21st century.
(Continue reading)By Paul E. Robinson on July 15, 2017
Coinciding with conductor Neeme Järvi's 80th birthday, this rebundled release of Tchaikovsky's great ballet scores gets top marks.
(Continue reading)By John Terauds on July 15, 2017
The Toronto Summer Music Festival showcased a quartet of audience favourites and veterans in a lesson on musical teamwork.
(Continue reading)By Joseph So on July 14, 2017
An Evening of Enigma, Expressionism, and Erotomania... Did Munich Opera turn out an Extraordinary production of Die Gezeichneten?
(Continue reading)By Joseph So on July 12, 2017
Munich Opera revisits a production with convoluted themes at this year's Bayerische Festspiele. Joseph So recounts the effect direct from Munich.
(Continue reading)By Paul E. Robinson on July 11, 2017
A heritage of Viennese splendour, captured by Bychkov and the Vienna Philharmonic.
(Continue reading)By Lev Bratishenko on July 10, 2017
Breaking from past settings of Mozart, Joel Ivany and Against the Grain have reconfigured Kopernikus for a new operatic headspace.
(Continue reading)By Paul E. Robinson on July 4, 2017
Jiří Bělohlávek is in his element, conducting iconic music of his homeland. A longstanding TSO guest conductor—until February this year—we take a retrospective look at his artistry.
(Continue reading)