Details
75A Melville Street, Elora, ON N0B1S0
Phone: 519-846-0331
Website: www.elorafestival.ca
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About
The Elora Festival has established a reputation as Canada’s international choral festival, presenting world-class choirs and vocal ensembles over three weeks in July in the artists village of Elora, “Ontario’s most beautiful village”.
The Festival’s ensemble-in-residence is The Elora Singers, one of Canada’s finest professional chamber choirs.
The choir performs throughout the three weeks of the festival, both with solo concerts and in collaboration with guest artists and ensembles. The Elora Festival and The Elora Singers are both led by Artistic Director Mark Vuorinen.
The Elora Festival has presented such internationally recognized choirs as the Vancouver Chamber Choir, Chanticleer, Studio de musique ancienne de Montréal, the Trinity College Choir, the State Choir LATVIJA and such vocal ensembles as Voces 8, Cantus, The Gesualdo Six, and others.
Additional guest artists include such celebrated luminaries as Maureen Forrester, Gordon Lightfoot, Holly Cole, Sarah McLachlan, Moe Kaufman, Dame Cleo Laine, Jesse Cook, Buffy Sainte-Marie, Andre Laplante, Dame Kiri te Kanawa, Randy Bachman, Ben Heppner, Chantal Kreviazuk, Natalie Macmaster and Measha Brueggergosman.
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The Folks Behind It All
Mark Vuorinen, Artistic Director and Conductor
The Elora Singers and the Elora Festival
A recipient of many awards, Dr. Mark Vuorinen was the 2016 Laureate of the Ontario Arts Council’s Leslie Bell Prize, and received a 2016 National Choral Award from Choral Canada (Association of Canadian Choral Communities) for his research on Estonian composer Arvo Pärt.
Mark holds a Doctor of Musical Arts degree from the University of Toronto and Master of Music degree from Yale University’s School of Music and Institute of Sacred Music.
Recent concert highlights include performances of Beethoven’s Missa Solemnis, Britten’s War Requiem, Arvo Pärt’s Passio and Credo, Canadian premieres of Jonathon Dove’s There was a Child, and Craig Hella Johnson’s Considering Matthew Shepard, Anna Thorvaldsdottir’s Ad Genua, Reena Esmail’s This Love Between Us and Barbara Croall’s Giishkaapkag (Where the Rock is Cut Through).
Mark’s research interests include the study of contemporary choral literature from the Baltic States, and in particular, the music of Arvo Pärt. Mark was an invited lecturer at the Arvo Pärt Project’s Sounding the Sacred conference in New York City in May 2017. He is published in Circuit Musiques Contemporaines, the Research Memorandum Series of Chorus America, and Principles of Music Composing of the Lithuanian Academy of Music and Theatre.
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