Tapestry Opera's latest co-production with Opera on the Avalon had all the signs of success, but a dragging narrative, mismatched score, and lack of imagination keep this profound story from resonating.

In the wake of yet another conductor abruptly dropping out due to illness from a major TSO event, Matthew Halls steps in to score a triumph with Mahler's Resurrection Symphony.

UK conductor Kerem Hasan makes his short notice Canadian debut at the TSO with Beethoven's epic pathbreaking Symphony No. 3 “Eroica”.

Conductor Gemma New makes her TSO debut with Shostakovich’s Fifth Symphony and keeps it open enough to let your imagination run wild.

The sound matched the thrill with players from the TSO and Youth Orchestra performing as one, in a program of Brahms and Dvorák.

Tapestry Opera takes a bold step with a new musical Hook Up, a ninety-minute story centred around toxic on-campus date rape culture.

The Toronto Symphony takes the chill off a cold, blowy January night with Sibelius Second Symphony and Kurt Weill's charming cabaret with violinist Leila Josefowicz, visiting conductor Ludovic Morlot.

Tafelmusik's 2018 partnership with CBC Sounds of the Season and Daily Bread Food Bank benefits families in need and goes straight to the heart of Messiah's message of compassion and generosity, hope and faith.

There is a new and powerful musical voice on Toronto's polymath artistic landscape. Echo Chamber Toronto.

While Ravel's Bolero was eaten up by a cavernous Roy Thomson Hall, it was the TSO's performance of John Adams' retro-styled City Noir that won us over.