Conductor Gemma New makes her TSO debut with Shostakovich’s Fifth Symphony and keeps it open enough to let your imagination run wild.

The sound matched the thrill with players from the TSO and Youth Orchestra performing as one, in a program of Brahms and Dvorák.

Tapestry Opera takes a bold step with a new musical Hook Up, a ninety-minute story centred around toxic on-campus date rape culture.

The Toronto Symphony takes the chill off a cold, blowy January night with Sibelius Second Symphony and Kurt Weill's charming cabaret with violinist Leila Josefowicz, visiting conductor Ludovic Morlot.

Tafelmusik's 2018 partnership with CBC Sounds of the Season and Daily Bread Food Bank benefits families in need and goes straight to the heart of Messiah's message of compassion and generosity, hope and faith.

There is a new and powerful musical voice on Toronto's polymath artistic landscape. Echo Chamber Toronto.

While Ravel's Bolero was eaten up by a cavernous Roy Thomson Hall, it was the TSO's performance of John Adams' retro-styled City Noir that won us over.

Under the baton of Bramwell Tovey, the TSO reminded us why Britten's War Requiem commands respect at their annual Remembrance Day concert Thursday night.

Opera Atelier's mixed bill delivers lovely evening's dance and singing amid tribute to choreographer Jeanette Lajeunesse Zingg.

Instead of being called The Return of Ulysses, the opera ought to have been called The Virtue of Penelope.