The TSO, under the baton of Sir Andrew Davis, the Toronto Mendselssohn Choir, and a talented cast of singers, treat Toronto to a lively, nuanced performance in the nineteenth-century French grand opera tradition.

Matsuev knew when to take his time and when to dazzle with speed in this impressive return to the Toronto stage for the renowned Russian virtuoso.

Other opera companies had better start taking notes. Against The Grain's La Bohème redefines opera for a new generation.

Gustavo Gimeno brings his strong sense of rhythmic, pulsative musicality, along with a supple freedom to his new role as the TSO’s musical director in an interesting and even provocative evening of music.

It is with great sadness that we report on the death of the great American soprano Jessye Norman, September 30, 2019.

The TSO shines under guest conductor Donald Runnicles in a program of Brahms and Strauss, with special note — and a standing ovation — for oboe soloist Sarah Jeffrey.

There is nothing quite like the atmosphere of anticipation which can greet a symphony orchestra's new concert season. The Toronto Symphony Orchestra launched its 2019-2020 classical concert series Thursday night and, to cut to the heart of it, the concert was sterling in every way — an unqualified success.

Tapestry Opera's latest co-production with Opera on the Avalon had all the signs of success, but a dragging narrative, mismatched score, and lack of imagination keep this profound story from resonating.

In the wake of yet another conductor abruptly dropping out due to illness from a major TSO event, Matthew Halls steps in to score a triumph with Mahler's Resurrection Symphony.

UK conductor Kerem Hasan makes his short notice Canadian debut at the TSO with Beethoven's epic pathbreaking Symphony No. 3 “Eroica”.