CRITIC'S PICKS | Six Amazing Concerts You Should Absolutely See This Week
By Joseph So on June 6, 2016
Critic’s Picks for classical music and opera events in Toronto for the Week of June 6 to 12.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
Get the weekly email about classical music and opera that is actually enjoyable.
Join our growing community of 150,000 readers, for free.
By Joseph So on June 6, 2016
Critic’s Picks for classical music and opera events in Toronto for the Week of June 6 to 12.
(Continue reading)By Joseph So on June 5, 2016
James Ehnes @ 40: Canadian superstar violinist shares his thoughts on career and life.
(Continue reading)By Arthur Kaptainis on June 4, 2016
Toronto Symphony's Daphnis et Chloé fulfills expectations with soloist Pekka Kuusisto and conductor Juanjo Mena.
(Continue reading)By Paul E. Robinson on June 4, 2016
Dallas Symphony Orchestra bridges the gap between myth and legend at second annual Soluna Festival.
(Continue reading)By Joseph So on June 3, 2016
"I’m not an aggressively bizarre composer, but I’m colourful." Composer-pianist Brian Finley chats about his new opera, The Pencil Salesman, premiering this June at The Westben Arts Festival.
(Continue reading)By Michael Vincent on June 2, 2016
Eighteen-year-old Ayana Tsuji sweeps First Prize at the 2016 Montreal International Music Competition (Violin).
(Continue reading)By Ludwig Van on June 2, 2016
The internet has been having a lot of fun making Donald Trump video parodies, so it was only a matter of time until the Classical Music world had a turn.
(Continue reading)By Michael Vincent on June 2, 2016
Announced today, Montreal-born Yannick Nézet-Séguin will be the next music director of New York's Metropolitan Opera Company beginning 2020-21.
(Continue reading)By Robin Roger on June 1, 2016
As a supplement to our recent review of Tapestry Opera's Rocking Horse Winner, Robin Roger offers some ideas as to central artistic decision collaborators made by making the protagonist autistic.
(Continue reading)By Michael Vincent on June 1, 2016
If classical music is ever going move beyond a reputation for stiff upper lips, it's time to start to look hard at the conventions that have formed around the concert ritual.
(Continue reading)