Mini-reviews of several of the best books on Bernstein, released for the Centenary and also from years prior.

Ludwig Van sends a writer with a broken foot to test the level of accessibility at some of Toronto's most well-known local concert halls. This is what happened.

TSMF 2018 will explore a breadth of musical perspectives, past and present, through works by Brahms, Messiaen, Ravel, Shostakovich, as well as music from today’s composers including Chan Ka Nin, Steve Reich, Kinan Azmeh, Abigail Richardson Schulte, and Tim Corlis.

The Next Generation of Piano Six is the best possible example of what goes around comes around.

Ludwig Van's Robin Roger shares her first-hand experience hobbling through some of Toronto's most well-known concert halls in search of a good seat.

Technically speaking, Leonard Bernstein’s centenary year begins at midnight Sunday night, but by then Toronto Operetta Theatre will be well ahead of the pack of homage-payers, after three performances of Bernstein’s idiosyncratic work of genius, Candide.

This was one of the questions posed by a gathering of music scholars and performers who met at the Centre for Ethics at the University of Toronto this week.

Ludwig Van stops by RCM's open-house for a sample of music courses, instruments, lectures, and performances and more.

Over one continuous day, music communities from St. John's to Victoria performed concerts around the theme of suicide awareness and healing.

Participants arrived at Lisa Chisholm’s presentation on performance anxiety with scary memories, but were relaxed by the end of it. Part one of two in our series on stage fright.