The 2021-22 season has been a challenging one for performing arts organizations, to put it mildly. With COVID-19 finally loosening its grip on our lives, in-person performances resumed a few months ago, and it’s gathering steam. Now it is mid-June and the classical programming of the TSO is coming to an end.

'2 Pianos 4 Hands' is a Canadian theatre classic — even if you’ve never had a piano lesson in your life, the show is laugh out loud with a bite.

Eighty years after his cruel death in a Nazi camp, the Czech composer Erwin Schulhoff is having something of a revival this month.

Maxime Beauregard-Martin’s ‘Singulières’ offers live documentary theatre that unfolds before your eyes.

Parsa and his forces have created an effervescent and engaging theatrical experience in 'Wildfire'.

Cree playwright Kenneth T. Williams’ new play The Herd came about when former Tarragon artistic director Richard Rose asked him to write an Indigenous version of Ibsen’s masterpiece, An Enemy of the People.

It is a crying shame that Reynaldo Hahn is remembered chiefly as Marcel Proust’s only known lover and not as a creative artist in his own right.

The Moussa symphony makes a solid impression, and Garrick Ohlsoon brought his customary polish, in performance with the TSO.

Meet the inner Gorecki; he’s really worth knowing.

On Sunday afternoon, Toronto classical voice fans heard a recital given by renowned Swedish mezzo-soprano Anne Sofie von Otter.