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By Joseph So on April 30, 2018
In a season of superlatives, the Canadian Opera Company saves the best for last, in its season-ending production of Donizetti’s Anna Bolena.
(Continue reading)By Michael Vincent on April 27, 2018
The story behind the of the personal triumph of Mireille Lebel makes the very existence of Opera Atelier’s The Return of Ulysses all the more astonishing.
(Continue reading)By Joseph So on April 27, 2018
Just ahead of the opening of Canadian Opera Company's Anna Bolena, we caught up with the American bass-baritone Christian Van Horn to chat about his recent Tucker Award, dream roles, and that time he had to wear a fat suit.
(Continue reading)By Joseph So on April 24, 2018
For devout Wagnerites within striking distance of Severance Hall in Cleveland, an important highlight this Spring is The Ecstasy of Tristan and Isolde, a “Festival Week” (April 21 – 29) focusing on the eternal love story of Tristan and Isolde, with the centerpiece being three concert performances of the monumental Wagner music drama.
(Continue reading)By Matthew Timmermans on April 23, 2018
An interview with AtG’s Joel Ivany, and a look at some reasons why his approach to Orphée et Eurydice continues a lineage of adaptation over 200 years old.
(Continue reading)By Stephan Bonfield on April 20, 2018
Instead of being called The Return of Ulysses, the opera ought to have been called The Virtue of Penelope.
(Continue reading)By Matthew Timmermans on April 18, 2018
Ahead of the Canadian Opera Company's all-new production of Donizetti’s opera Anna Bolena with Sondra Radvanovsky, we give you a quick and handy guide to everything you need to know.
(Continue reading)By Joseph So on April 17, 2018
Nine years after Robert Lepage's production of The Nightingale and Other Short Fables, will lightning strike twice? Can it repeat that same magic? Joseph So offers his take.
(Continue reading)By Arthur Kaptainis on March 30, 2018
Even if it feels like something less than a full-blooded opera, The Overcoat is a brilliant theatrical enterprise that can be appreciated for the virtuosity with which Panych (also the director) enlivens the stage.
(Continue reading)By Matthew Timmermans on March 26, 2018
Part theatre, part opera, Tapestry's new adaptation of The Overcoat aims to become a hit all over again.
(Continue reading)
