SCRUTINY | Letters from Munich: La Juive
By Joseph So on July 11, 2016
Munich Opera offers a soul-searching "La Juive" with husband and wife team of Roberto Alagna and Aleksandra Kursak.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
By Joseph So on July 11, 2016
Munich Opera offers a soul-searching "La Juive" with husband and wife team of Roberto Alagna and Aleksandra Kursak.
(Continue reading)By Joseph So on July 5, 2016
Munich offers a bread and butter production of La bohème with soprano Sonya Yoncheva.
(Continue reading)By Joseph So on July 4, 2016
Bayerische Staatsoper's Lohengrin, an unalloyed delight.
(Continue reading)By Joseph So on July 3, 2016
Bayerische Staatsoper's summer production of Puccini's Tosca: a Greek, a German, a Welshman, with a Russian at the helm, and not an Italian in sight.
(Continue reading)By Joseph So on June 28, 2016
The Bells of Baddeck: Soprano/Voice Teacher/Librettist/Producer Lorna Macdonald talks about her labour of love.
(Continue reading)By Joseph So on June 27, 2016
The Pencil Salesman, albeit a bit of a work in progress, is a welcome addition to the Canadian canon of contemporary music drama.
(Continue reading)By Joseph So on June 18, 2016
The Bells of Baddeck, an opera on the lives of Alexander Graham and Mabel Bell by Canadian composer Dean Burry has won the Parks Canada CEO Award of Excellence (Visitor Experience Category), at a ceremony held in Gatineau, Quebec on June 13, 2016.
(Continue reading)By Paul E. Robinson on June 9, 2016
Musical Toronto visits Charleston, South Carolina for the 40th-anniversary of the Spoleto Festival, including their first-ever production of Gershwin’s Porgy & Bess.
(Continue reading)By Michael Vincent on June 2, 2016
Announced today, Montreal-born Yannick Nézet-Séguin will be the next music director of New York's Metropolitan Opera Company beginning 2020-21.
(Continue reading)By Robin Roger on June 1, 2016
As a supplement to our recent review of Tapestry Opera's Rocking Horse Winner, Robin Roger offers some ideas as to central artistic decision collaborators made by making the protagonist autistic.
(Continue reading)