FEATURE | Toronto Ravel Focus On Creativity During The Lockdown
By Robin Roger on May 11, 2020
Members of The Toronto Ravel talk about creativity and composing for themselves during the COVID-19 lockdown.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
By Robin Roger on May 11, 2020
Members of The Toronto Ravel talk about creativity and composing for themselves during the COVID-19 lockdown.
(Continue reading)By Robin Roger on May 1, 2020
We take a look at the long standing traditions of parents and grandparents who pass along their knowledge of the piano to the next generation.
(Continue reading)By Paula Citron on April 28, 2020
Holding Company Class on Zoom is helping the National Ballet's dancers cope with the realities of lockdown and social isolation.
(Continue reading)By Holly Harris on April 17, 2020
We talk with the artistic directors of three summer chamber music festivals during the COVID-19 crisis: Festival of the Sound (James Campbell); Roman Borys (Ottawa Chamberfest); and Stratford Summer Music (Mark Fewer).
(Continue reading)By Robin Roger on April 15, 2020
Four adult music students talk about the need to keep practising and learning during the COVID-19 quarantine.
(Continue reading)By Robin Roger on April 8, 2020
Without missing a beat, piano teachers went from being studio-based practitioners to virtual piano pedagogues, quickly enough that their students experienced minimal interruption.
(Continue reading)By Anya Wassenberg on March 17, 2020
Musical cryptography is the use of music to encode messages. In its simplest form, the letters A through G can be used to spell out words or codes.
(Continue reading)By Anya Wassenberg on March 10, 2020
Albums are falling by the wayside as the "song economy" takes over the music industry — but where does it leave classical music lovers?
(Continue reading)By Peter Goddard on February 29, 2020
We met director François Girard in New York, to talk about the Met Opera's production of Wagner's Die Fliegende Holländer and the comparisons between film and opera.
(Continue reading)By Michela Comparey on February 11, 2020
Fossil fuel combustion, industrial processes, deforestation, transportation and even Classical Music. Wait, what? Like everything, classical music has a bigger carbon footprint than you probably thought.
(Continue reading)
