SCRUTINY | A "Resurrection" For Small Orchestra? Believe It
By Arthur Kaptainis on August 8, 2016
Orchestre de la Francophonie make it clear that while less might not be more in Mahler’s Second Symphony, it can be enough.
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By Arthur Kaptainis on August 8, 2016
Orchestre de la Francophonie make it clear that while less might not be more in Mahler’s Second Symphony, it can be enough.
(Continue reading)By John Terauds on August 6, 2016
Mr Shi and His Lover is worth experiencing, whether you normally sit on the musical theatre or opera side of the artistic fence. It makes a strong case for tearing down such fences altogether.
(Continue reading)By Michael Vincent on July 31, 2016
It's not opera, but the drama is there, and along with the quality and verve that we have come to expect from AtG, the music is fertile ground for a clever, young company on the rise.
(Continue reading)By Robin Roger on July 30, 2016
Toronto Summer Music presents a two-part presentation of musical “spin-offs” from Shakespeare’s plays and sonnets.
(Continue reading)By Joseph So on July 26, 2016
American Mezzo-soprano Jamie Barton brings a down home style to Koerner Hall, with collaborative pianist Bradley Moore.
(Continue reading)By Paul E. Robinson on July 26, 2016
Pedja Muzijevic raises an eyebrow at Toronto Summer Music recital with a mix of Haydn and contemporary gems.
(Continue reading)By Joseph So on July 20, 2016
American mezzo-soprano Sasha Cooke leads the way at Toronto Summer Music Festival vocal masterclass.
(Continue reading)By Robin Roger on July 15, 2016
Toronto Summer Music Festival: It’s hard to imagine a more rousing start to the three-week celebration of chamber music than last evening of English Music for Strings.
(Continue reading)By Michael Vincent on June 18, 2016
"I’m still a rock star," I tell myself as I take my vitamin and go to bed by 9 p.m. But once a year, the Toronto Symphony present a late night concert that makes losing some sleep worth it.
(Continue reading)By Michael Vincent on June 10, 2016
I've often wondered who enjoys The Rite of Spring more — the audience or the orchestra? It's hard to say, but I think everyone walked away impressed.
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