SCRUTINY | A "Resurrection" For Small Orchestra? Believe It
By Arthur Kaptainis on August 8, 2016
Orchestre de la Francophonie make it clear that while less might not be more in Mahler’s Second Symphony, it can be enough.
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By Arthur Kaptainis on August 8, 2016
Orchestre de la Francophonie make it clear that while less might not be more in Mahler’s Second Symphony, it can be enough.
(Continue reading)By Tyler Versluis on August 8, 2016
Both an arts administrator and a composer, Monica Pearce explains how she manages to find a balance.
(Continue reading)By Joseph So on August 8, 2016
SFO's production of Vanessa beautiful, yet deliberately unsettling.
(Continue reading)By John Terauds on August 6, 2016
Mr Shi and His Lover is worth experiencing, whether you normally sit on the musical theatre or opera side of the artistic fence. It makes a strong case for tearing down such fences altogether.
(Continue reading)By Joseph So on August 5, 2016
Santa Fe Opera's La Fanciulla del West makes a compelling case for more revivals of this Puccini gem.
(Continue reading)By Paul E. Robinson on August 4, 2016
...an exciting, beautifully conceived and rendered Mahler One.
(Continue reading)By Joseph So on August 3, 2016
An impressive Don Giovanni is as large scale and opulent as Santa Fe Opera gets.
(Continue reading)By Tyler Versluis on August 2, 2016
Continuing with our interview series with Toronto-based composers, we catch up with Gary Kulesha, whose music is distinguished by astringency and internal coherency. Here's what he had to say...
(Continue reading)By Paul E. Robinson on August 1, 2016
Stratford Festival's A Chorus Line and A Little Night Music are American musical theatre at their best.
(Continue reading)By Michael Vincent on July 31, 2016
It's not opera, but the drama is there, and along with the quality and verve that we have come to expect from AtG, the music is fertile ground for a clever, young company on the rise.
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