Q&A | 20 Questions For Andrew Haji
By Michael Vincent on April 5, 2016
Tenor Andrew Haji answers 20 questions including the things that make Toronto a great place to live, and his default drink of choice.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
Get the weekly email about classical music and opera that is actually enjoyable.
Join our growing community of 150,000 readers, for free.
By Michael Vincent on April 5, 2016
Tenor Andrew Haji answers 20 questions including the things that make Toronto a great place to live, and his default drink of choice.
(Continue reading)By Michela Comparey on April 5, 2016
Principal Librarian Gary Corrin takes us on behind the scenes tour of how scores get made and played at the Toronto Symphony Orchestra.
(Continue reading)By Will Pearson on April 4, 2016
Classic film reimagined by the Orlando Consort with a live vocal score.
(Continue reading)By Arthur Kaptainis on April 4, 2016
Voicebox Opera offers Isis and Osiris, Gods of Egypt, a collaboration of two veterans, composer Peter-Anthony Togni and librettist Sharon Singer. I think it is fair to say this two-hour-plus enterprise (intermission not included) is a troubled piece that will be need revision before it is mounted again.
(Continue reading)By Ludwig Van on April 4, 2016
A complete list of the classical music 2016 Juno Winners, including Dinuk Wijeratne, L’Harmonie des Saisons, Orchestre Symphonique de Montreal, James Ehnes, Colin Stetson and Sarah Neufeld.
(Continue reading)By Joseph So on April 4, 2016
Musical Toronto | Critic’s Picks for the Week of April 4 to 10.
(Continue reading)By Michael Vincent on April 2, 2016
If you see Koerner Hall looking a little bit disheveled this morning, that's because Cameron Carpenter's debut digital touring organ gave the hall, and the patrons inside, a reverberant shake.
(Continue reading)By Paul E. Robinson on April 2, 2016
Elgar’s Symphony No. 1 has a unique power to move us in passage after passage. In the end, all we can say is that the composer has created something uncommonly beautiful. So too have conductor Daniel Barenboim and his musicians in this recording.
(Continue reading)By Michael Vincent on April 1, 2016
Roy Thomson Hall has confirmed the commissioning of a new 20-foot applause sign to be installed for the 2016/17 season.
(Continue reading)By Michael Vincent on March 31, 2016
Toronto Summer Music’s Artistic Director Douglas McNabney announced today that the 2016 Festival will be his final at the helm of the organization.
(Continue reading)
