The 47-year old English tenor gave a memorable recital at Koerner Hall on Sunday afternoon that was pretty much the epitome of the Very Serious Artist presenting a Very Serious Programme to a small but very appreciative and attentive audience.

There is such a fuss coming up over the next two weeks as people latch on to the Big International Brand that is Glenn Gould. In Toronto there will be concerts, lectures and all sorts of weirdness at Convocation Hall.

Contact Contemporary Music, organizer of the annual New Music Marathon, is taking advantage of the New Yorkers’ visit by programming a companion concert on Sunday night at the Music Gallery.

TSO's poorly attended all-Canadian program speaks volumes about the low profile of Canadian composers in their own country.

Simon Fryer, Artistic Director of Music In the Afternoon concerts, presented by the Women’s Musical Club of Toronto, today announced the lineup for the 2018/2019 season.

If you’re reading this early enough, there are two showing remaining tonight — at 9:30 p.m. and 11 p.m.

La Bohème (with its rotating casts) repeats on Wednesday and Saturday. Peter Grimes returns Tuesday and Friday [Update: Ben Heppner returned to the role on Oct. 8, is said to have done very well, and everyone expects him to finish the run]. (COC details here.)

It’s appropriate that Toronto pianist Boris Zarankin should launch a new recording of two landmark sonatas by Franz Schubert on the composer’s birthday.

I’ve listened to something like 300 albums in 2013. I tend to review only the ones I find particular merit in, unless they are from such big names that I can’t ignore them. The ones that don’t tickle my aesthetic g-spot get immediately tossed into the discard pile, so it’s pointless to put together a Worst-of-2013 list.

A kaleidoscopic concert commemorating Canada's 150 years, as offered by two national youth ensembles at Toronto Summer Music.