SCRUTINY | Letters From Munich: Die Gezeichneten
By Joseph So on July 14, 2017
An Evening of Enigma, Expressionism, and Erotomania... Did Munich Opera turn out an Extraordinary production of Die Gezeichneten?
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By Joseph So on July 14, 2017
An Evening of Enigma, Expressionism, and Erotomania... Did Munich Opera turn out an Extraordinary production of Die Gezeichneten?
(Continue reading)By Joseph So on July 12, 2017
Munich Opera revisits a production with convoluted themes at this year's Bayerische Festspiele. Joseph So recounts the effect direct from Munich.
(Continue reading)By Paul E. Robinson on July 11, 2017
A heritage of Viennese splendour, captured by Bychkov and the Vienna Philharmonic.
(Continue reading)By Lev Bratishenko on July 10, 2017
Breaking from past settings of Mozart, Joel Ivany and Against the Grain have reconfigured Kopernikus for a new operatic headspace.
(Continue reading)By Paul E. Robinson on July 4, 2017
Jiří Bělohlávek is in his element, conducting iconic music of his homeland. A longstanding TSO guest conductor—until February this year—we take a retrospective look at his artistry.
(Continue reading)By David Podgorski on June 30, 2017
Yo-Yo Ma's Silk Road Ensemble stopped by Toronto last night. David Podgorski shares how their global mandate is especially pertinent in today's society.
(Continue reading)By Brian Chang on June 29, 2017
Harry Potter and the Philosopher's Stone stops by the Sony Centre on its North American live film concert tour. Brian Chang reviews the show, with insight from conductor Justin Freer.
(Continue reading)By Paul E. Robinson on June 27, 2017
Capriccio Records restores the lustre to a neglected Dvořák oratorio-symphonic poem.
(Continue reading)By Joseph So on June 25, 2017
A superb cast of soloists makes a meal out of Carmina Burana as the TSO sends off its 2017–18 season.
(Continue reading)By Paul E. Robinson on June 20, 2017
How American Lou Harrison synthesized Asian percussion instruments and minimalism into his music in the middle of the 20th century.
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