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Ludwig Van
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RECORD KEEPING | At the Crossroads of Gamelan and Minimalism

By Paul E. Robinson on June 20, 2017

HARRISON: Violin Concerto*. Grand Duo* **. Double Music (with John Cage). Tim Kain, violin* **. Michael Boriskin, piano**. PostClassical Ensemble: Angel Gil-Ordóñez. Naxos 8.559825. Total Time: 61:46.
HARRISON: Violin Concerto*. Grand Duo* **. Double Music (with John Cage). Tim Kain, violin* **. Michael Boriskin, piano**. PostClassical Ensemble: Angel Gil-Ordóñez. Naxos 8.559825. Total Time: 61:46.

Lou Harrison (1917-2003) was one of the great innovators in American music. While he still does not get the recognition he deserves, in 2017 on the occasion of his 100th anniversary, there are many more performances of his music scheduled than usual. Since Harrison was born in Portland, Oregon and spent much of his time on the West Coast, it is perhaps not surprising that several West Coast orchestras have put together tributes to Harrison. Michael Tilson Thomas in San Francisco has already programmed a great deal of Harrison’s music, and this past week the Los Angeles Philharmonic mounted a semi-staged new production of the opera Young Caesar.

As early as 1889 at the Paris World’s Fair, Western composers had been exposed to the Javanese gamelan. Both Debussy and Ravel and later Messiaen and Britten incorporated elements of gamelan into their music. Harrison heard Javanese gamelan for the first time at Berkeley in 1975 and went further than most Western musicians in actually learning to play some of the instruments used in the gamelan. The Grand Duo for Violin and Piano on this new recording is a good example of the gamelan influence in Harrison’s music, both in the way the piano imitates gamelan style but also in the use of repetitive motives and rhythms. One could also see the piece as a forerunner of the minimalism of John Adams and Philip Glass. It is an effective and original piece but tends to grow dull in the two long slow movements. The final polka is lively and entertaining, again in its recreation of the gamelan sound.

The Concerto for Violin and Percussion dating from 1940 but revised in 1959 is consistently fresh and surprising, and reflects Harrison’s fascination with not only Asian percussion instruments but also with junk such as brake drums, coffee cans, and washtubs that could be used to produce interesting sounds. Violinist Tim Fain is a very capable exponent of both the Grand Duo and the Violin Concerto.

Finally, on this CD there is a short piece in which Harrison and his friend John Cage collaborated in a most unusual way. Together they often produced percussion concerts in San Francisco in the 1940s but on this occasion they did something that was pretty far out even for them. They decided to write a piece for four percussionists, but each composer would separately compose music for two of the four players. Then the parts written separately would be put together. Before they started, they set some parameters for rhythms and rests, but amazingly the results are pretty good. The two iconoclastic musical minds were obviously on the same wavelength.

For more RECORD KEEPING, see HERE.

#LUDWIGVAN

Paul E. Robinson

Paul E. Robinson

Over the course of his career, Paul Evans Robinson has acquired a formidable reputation as a broadcaster, author, conductor, and teacher. He has communicated the joy of music to more than a generation of musicians and music lovers in Canada and elsewhere.
Paul E. Robinson

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Ludwig Van Toronto

SCRUTINY | Third Annual Ukrainian Art Song Summer Institute Concert Sings From The Heart

By Joseph So on August 21, 2019

Now in its third year, the Ukrainian Art Song Summer Institute annual showcase for talented young singers was an afternoon well spent.
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SCRUTINY | If You Like Your Theatre Argumentative, Shaw Festival's 'Getting Married' Is Worth A Visit

By Paula Citron on August 1, 2019

After this Shaw Festival production of Getting Married, you'll leave the theatre with your head bursting with Shavian arguments.
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LEBRECHT LISTENS | Two Summer Discoveries: Pfitzner And Braunfels

By Norman Lebrecht on August 16, 2019

Pfitzner and Braunfels make an apt pairing on a new release featuring piano concertos dating from the twilight of German Romanticism.
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