THE VOICE | Canadian Opera Company Brings Creative Freshness to Barber of Seville (review)
By Neil Crory on April 18, 2015
Canadian Opera Company remounts Rossini's masterpiece, The Barber of Seville: review
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By Neil Crory on April 18, 2015
Canadian Opera Company remounts Rossini's masterpiece, The Barber of Seville: review
(Continue reading)By Arthur Kaptainis on April 15, 2015
Arthur Kaptainis reviews Opera Atelier's Orpheus and Eurydice: "Dance fans with classical tastes will not be disappointed."
(Continue reading)By Lev Bratishenko on April 14, 2015
Mezzo-soprano Christianne Stotijn and pianist Julius Drake perform a spring-like program of song at Pollack Hall.
(Continue reading)By Robin Roger on April 13, 2015
Syrinx Concert Series: The Seiler Trio gives an outstanding performance of Trios for piano, violin and cello at Heliconian Hall.
(Continue reading)By Paul E. Robinson on April 12, 2015
Review: Berlioz: Symphonie Fantastique Op. 14. Boston Symphony Orchestra, Seiji Ozawa
(Continue reading)By Arthur Kaptainis on April 10, 2015
Amid the great boiling cauldron of bad karma that is the Toronto Symphony Orchestra, there was a forgotten man: Jukka-Pekka Saraste...
(Continue reading)By Paul E. Robinson on April 4, 2015
Very few recordings I’ve heard in recent months have given me as much pleasure as this one. While Dvořák is one of my favourite composers, the Violin Concerto has always seemed to me more impressive on paper (score) than in live performance or on a recording...
(Continue reading)By Neil Crory on April 1, 2015
It seems hardly possible that Opera In Concert (now rebranded as Voice Box/Opera in Concert) marks its 41st anniversary this past season. The organization - founded by the irrepressible vocal coach and pianist, Stuart Hamilton, C.M., – made its debut on October 21, 1974 with Ambroise Thomas' Hamlet. Since then they have presented over 150 different operas - most of them true rarities...
(Continue reading)By Michael Vincent on March 28, 2015
Driven under the dancing baton of visiting conductor Krzysztof Urbański, it’s not hard to see how the Rite provided a way out of the “theatre of the mind.”...
(Continue reading)By Paul E. Robinson on March 28, 2015
Canadian pianist Angela Hewitt has played so much Bach and played it so well she has become known as one of the great Bach players of her time. In fact, her Bach reputation is so great that it is often assumed that she plays little else. Nothing could be further from the truth and this new CD provides conclusive evidence...
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