By John Terauds on February 15, 2016
This music has been compelling fresh ears for nearly a century-and-a-half and, fortunately for anyone fond of Brahms’ compositions, the New Orford Quartet has put together an equally compelling case for their own interpretations.
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By Paul E. Robinson on February 13, 2016
With his colleagues in the MSO, under the direction of Kent Nagano, Merkelo delivers near-definitive performances of three classics of the Twentieth Century trumpet repertoire, with rich and detailed sound quality provided by Analekta.
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By Robin Roger on February 12, 2016
Over 245 pages, Seymour and Andrew explore debate, and banter about the a diverse and rich range of shared matters of urgent importance to them, including their personal histories, spiritual quests, notions of the divine, being learners and teachers and their feeling about creativity, solitude, relatedness to animals and more.
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By Joseph So on February 11, 2016
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By Joseph So on February 10, 2016
Christopher Purves: The Art of Song. The British bass-baritone dazzles audiences in Handel and Mussorgsky.
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By Nicholas Godsoe on February 9, 2016
"As the string quartet, (in full tuxedo) followed by Gonzales, (in a suave, velveteen, burgundy robe) assumed the stage, the audience went wild..."
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By Michael Vincent on February 7, 2016
The audience was buzzing when I overheard a proclamation: "Tanya!" That Tanya, of course, was Tanya Tagaq, an Inuk throat singer from Cambridge Bay (Iqaluktuutiaq), Nunavut, located on Victoria Island.
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By Paul E. Robinson on February 6, 2016
For some listeners, Lisiecki’s approach will bring a welcome clarity to this music, but to my taste, his rendition tends toward the superficial, often missing the poetic soulfulness of the music.
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By Joseph So on February 6, 2016
COC's Marriage of Figaro an interesting twist to this beloved Mozart and an unusual evening at the opera.
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By Michael Vincent on February 5, 2016
What would Beethoven have heard? Brandishing the equivalent of field cannons, pitch-forks and bull-whips, with gut strings, valveless horns and baroque contrabassoon, Tafelmusik proposed a possible answer with a performance of Beethoven's Ninth Symphony last night.
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