SCRUTINY | Boucher And Sy Shine At Final COC Vocal Series Concert
By Joseph So on May 18, 2016
Soprano Karine Boucher and tenor Charles Sy offer a fine end to a marvellous 2015/16 COC Vocal Series.
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By Joseph So on May 18, 2016
Soprano Karine Boucher and tenor Charles Sy offer a fine end to a marvellous 2015/16 COC Vocal Series.
(Continue reading)By Michael Vincent on May 17, 2016
Canadian Opera Company respond to accusations that they sought to silence longtime Canadian classical music critic Arthur Kaptainis.
(Continue reading)By Arthur Kaptainis on May 17, 2016
This review of Maometto II appeared in the National Post but was removed after complaints by the Canadian Opera Company. While we are sensitive to concerns over unwarranted prejudice, we feel this review is balanced and have published it the spirit of open and fair criticism.
(Continue reading)By Michael Vincent on May 13, 2016
Against the Grain lived up to their name last night for the premiere of "A Little Too Cozy," a sassy English-language take on Mozart's "Così fan Tutte."
(Continue reading)By Michael Vincent on May 1, 2016
With pop sensation Justin Bieber looking on, Opera Atelier performs at VIP event in honour of Jeremy Bieber’s recent engagement to Chelsey Rebelo.
(Continue reading)By Joseph So on May 1, 2016
The final production of the Canadian Opera Company’s 2015-16 season opens with a Rossini rarity, Maometto II.
(Continue reading)By Joseph So on April 22, 2016
"You can’t take your eyes off her." Joseph So reviews the alternate cast of the COC's Carmen with mezzo-soprano Clémentine Margaine.
(Continue reading)By Robin Roger on April 18, 2016
"We came in on cue, paused precisely during the rests, raised our voices to crescendos". Follow along as MT's Robin Roger learns to sing some of the great opera choruses with Toronto's Opera For All Community Chorus project.
(Continue reading)By Joseph So on April 17, 2016
Third and final installment of the report from Deutsche Oper Richard Strauss-Woche.
(Continue reading)By Joseph So on April 14, 2016
Part two of a report from the Richard Strauss-Woche in the Deutsche Oper by Joseph So.
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