RADAR | Watch A Video Clip Of A New Opera "BOUND v. 2" With Against The Grain Theatre
By Michael Vincent on November 5, 2018
Against the Grain Theatre release a video of their latest Opera BOUND v. 2.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
By Michael Vincent on November 5, 2018
Against the Grain Theatre release a video of their latest Opera BOUND v. 2.
(Continue reading)By Joseph So on November 5, 2018
Students stretch their artistic muscles in the Glenn Gould School's production of two Surrealist/Dadaist opera rarities, The Tears of the Knife (Bohuslav Martinů) and Back and Forth (Paul Hindemith).
(Continue reading)By Joseph So on November 3, 2018
Amongst eight Canadian aspiring operatic talents, the Canadian Opera Company Centre Stage 2018 crowns four new winners.
(Continue reading)By Joseph Glaser on October 29, 2018
Montreal-based composer Joseph Glaser pens an open letter about the COC’s staging of Hadrian and anti-Semitic sentiment in line with the Pittsburgh attack.
(Continue reading)By Stephan Bonfield on October 26, 2018
Opera Atelier's mixed bill delivers lovely evening's dance and singing amid tribute to choreographer Jeanette Lajeunesse Zingg.
(Continue reading)By Peter Goddard on October 24, 2018
In a plot with endless twists, Toronto audiences experience a world-famous production of Eugene Onegin, crafted by its own creative stars and owned and controlled by its very own opera house — for the very first time.
(Continue reading)By Joseph So on October 24, 2018
The three honourees, Alexander Neef, Dominique Labelle, and Wayne Gooding, were recognized for their unique contributions to Canadian opera at the 2018 Rubies Awards last night in Toronto.
(Continue reading)By Lev Bratishenko on October 18, 2018
As the first COC commission to get a mainstage premiere since 1999, Hadrian has the impossible task of justifying all the other operas that did not get made.
(Continue reading)By Joseph So on October 15, 2018
Hadrian is appealing and accessible, but lacks the dramatic twists and turns needed to make this an enduring production.
(Continue reading)By Joseph So on October 10, 2018
We chat with the Canadian tenor Isaiah Bell about working with Rufus Wainwright, being open to vulnerability, and his experience preparing for his leading role in the COC's upcoming production of Hadrian.
(Continue reading)