FEATURE REVIEW | Letters from Berlin: Der Rosenkavalier (Deutsche Oper)
By Joseph So on April 17, 2016
Third and final installment of the report from Deutsche Oper Richard Strauss-Woche.
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By Joseph So on April 17, 2016
Third and final installment of the report from Deutsche Oper Richard Strauss-Woche.
(Continue reading)By Joseph So on April 14, 2016
Part two of a report from the Richard Strauss-Woche in the Deutsche Oper by Joseph So.
(Continue reading)By Michael Vincent on April 14, 2016
The end of an era: The New York’s Metropolitan Opera has announced longtime Music Director James Levine will retire at the end of the season in April.
(Continue reading)By Michael Vincent on April 13, 2016
COC presents Bizet's Carmen with Direction by Joel Ivany. "I might love you, and if I do, beware." — Those are the words of Carmen, played by mezzo-soprano Anita Rachvelishvili, and she means it.
(Continue reading)By Joseph So on April 12, 2016
Part One of a report from the Richard Strauss-Woche in the Deutsche Oper by Joseph So.
(Continue reading)By John Terauds on April 8, 2016
Cast your doubts aside: Mozart’s Lucio Silla, as brought to life by Opera Atelier and Tafelmusik Baroque orchestra.
(Continue reading)By Michael Vincent on April 5, 2016
Tenor Andrew Haji answers 20 questions including the things that make Toronto a great place to live, and his default drink of choice.
(Continue reading)By Arthur Kaptainis on April 4, 2016
Voicebox Opera offers Isis and Osiris, Gods of Egypt, a collaboration of two veterans, composer Peter-Anthony Togni and librettist Sharon Singer. I think it is fair to say this two-hour-plus enterprise (intermission not included) is a troubled piece that will be need revision before it is mounted again.
(Continue reading)By Paul E. Robinson on March 30, 2016
In mid-March each year, thousands of kids — American and Canadian — head for the beaches of Sarasota, on Florida’s West Coast, for “spring break”. Increasingly, opera-lovers too have made Sarasota a mid-March destination — not for the beaches, but for the acoustically first-rate and pleasingly small (only 1,100 seats) Sarasota Opera House.
(Continue reading)By Michael Vincent on March 29, 2016
Who wouldn't like to a free ticket to see an opera? The Canadian Opera Company has confirmed it will be included as part of in Institute for Canadian Citizenship’s (ICC) Cultural Access Pass program.
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