Pianist Yoko Hirota offers up a magnificent interpretation of Toronto composer Brian Current‘s 2007 piece Sungods on her new album, Voces Boreales, released last night by Centrediscs at a Canadian Music Centre concert.
There is such a fuss coming up over the next two weeks as people latch on to the Big International Brand that is Glenn Gould. In Toronto there will be concerts, lectures and all sorts of weirdness at Convocation Hall.
Without the benefit of reading or research, these two people are simply wandering from quarter to quarter, taking pictures that include “a beautiful old church” as well as some creative graffiti in forgotten little alcoves.
A visit to Bob Shingleton’s excellent blog, On an Overgrown Path, has inspired a little ode to the charms of the string orchestra, a deceptively simple-seeming collection of violins, violas, cellos and double-basses.
The question completely broadsided me, because the idea of a world without Early Music seems as bereft as a world without Renaissance history, with the paintings of Titian banished to decommissioned nuclear bomb shelters, and St Mark’s Church in Venice hidden behind tall plywood hoardings.