Toronto’s Opera Atelier has just released a fascinating behind the scenes documentary about their experience trying to put on the production of Handel’s The Resurrection during the pandemic lockdowns.
The Making of The Resurrection is a 23-minute film by Marcel Canzona, and includes candid interviews and footage of Opera Atelier’s creative team as they work within the challenges of producing the opera under Ontario’s COVID-19 protocols.
Rich with sincerity and humour, this “resurrection of The Resurrection” is a must-see for any opera lover:
Handel’s The Resurrection is set to premiere online, May 27, 2021. Details here.
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Michael Vincent is the Editor-in-chief Ludwig Van and CEO of Museland Media. He publishes regularly and writes occasionally. A specialist in digital media for over 15 years, he has worked as a senior editor and is a former freelance classical music critic for the Toronto Star. Michael holds a Doctorate in Music from the University of Toronto.
Michael Vincent is the Editor-in-chief Ludwig Van and CEO of Museland Media. He publishes regularly and writes occasionally. A specialist in digital media for over 15 years, he has worked as a senior editor and is a former freelance classical music critic for the Toronto Star. Michael holds a Doctorate in Music from the University of Toronto.
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We caught up with Azrieli Music Prize laureates Keiko Devaux and Kelly-Marie Murphy to discuss their experiences in the classical music world, and why they almost didn’t apply.
Michael Vincent is the Editor-in-chief Ludwig Van and CEO of Museland Media. He publishes regularly and writes occasionally. A specialist in digital media for over 15 years, he has worked as a senior editor and is a former freelance classical music critic for the Toronto Star. Michael holds a Doctorate in Music from the University of Toronto.
Michael Vincent is the Editor-in-chief Ludwig Van and CEO of Museland Media. He publishes regularly and writes occasionally. A specialist in digital media for over 15 years, he has worked as a senior editor and is a former freelance classical music critic for the Toronto Star. Michael holds a Doctorate in Music from the University of Toronto.