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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | Feldman & Cage: Two For Uncharted Eternity

By Norman Lebrecht on June 12, 2020

Morton Feldman: Coptic Light (Capriccio)

★★☆☆☆

🎧 Spotify | Apple Music | Amazon

You’d probably meet Morton Feldman if you hung out long enough in the Village in the early 70s. He was one of those guys with an idea in his head that was going to save the world if only you gave him enough time to explain it — like an hour, a day, the rest of your life. You might think that never in human history did time pass slower than it did in the Village in the 1970s until you hear the stuff Feldman was writing in which the passage of time ceases to have any meaning at all.

It took Feldman forever to get his act together. He was in his forties, working in the family cloth business, before he finally notated rhythms in his scores. This gave him the structure to write a second string quartet with orchestra that lasts six hours, among other indulgences. As part of my COVID-19 weekly dip in less-heard modern composers, let’s take a long slow listen at Feldman.

The 2nd string quartet (1973) is not as forbidding as it sounds, and often rather soothing. If you’re likely to be in lockdown much longer, you may start singing it in the shower. The Arditi Quartet, who could make flock wallpaper sound interesting, gave an epic performance in Vienna 10 years ago, part of which is now released on Capriccio. Actually, I love it.

Much more than I do the companion orchestral piece, Coptic Light (1986), written shortly before Feldman’s early death and drifting blearily into some uncharted eternity. I think it will annoy the hell out of the mice in my kitchen. I’ll let you know.

For John Cage (Diatribe Records)

★★★☆☆

🎧  Apple Music | Amazon

For John Cage, played by the Irish violinist Darragh Morgan and pianist John Tilbury, does what it says on the pack. It takes a fragment of Cage — who was Feldman’s downstairs neighbour — and nags away at it until metamorphosis sets in and you imagine you are living in a pre-COVID time and everything is still possible. No more words. Just listen.

To read more from Norman Lebrecht, follow him on Slippedisc.com.

Norman Lebrecht’s new book Genius and Anxiety is available now.

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Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.

Norman Lebrecht

Norman Lebrecht is one of the most widely-read commentators on music, culture and cultural politics. He is a regular presenter on BBC Radio 3 and a contributor to the Wall Street Journal, Bloomberg, Standpoint, Sinfini and other publications. His blog, Slipped Disc, is among the most widely read cultural sites online, breaking exclusive stories and campaigning against human abuse and acts of injustice in the cultural industries.
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LEBRECHT LISTENS | Feldman & Cage: Two For Uncharted Eternity

By Norman Lebrecht on June 12, 2020

As part of his COVID-19 weekly dip into less-heard modern composers, Norman Lebrecht reviews Feldman and Cage.
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