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Ludwig Van
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GIVEAWAY | Win 2 Tickets To See Esprit Orchestra's Grand Slam!

By Ludwig Van on March 15, 2019

Esprit Orchestra plays Koerner Hall on Sunday, March 24, 2019 —  enter now for a chance to see them free, on us!

Courtesy of the Esprit Orchestra, we’re giving away two tickets to see Grand Slam! on Sunday, March 24 at 8:00 p.m. at Koerner Hall.

Gland Slam features a powerful work for percussion and orchestra, Maki Ishii’s Afro-Concerto, mixing cultural inflections, provides the impetus for this concert and is a spectacular musical blast for Esprit’s season finale. Also includes works by Chris Thornborrow (Trompe l’œil ) and Unsuk Chin (Cello Concerto). 

Full concert details found here.

The contest will run one week until Thursday, Mar. 21, 5 p.m. Winners will be chosen at random and contacted via email with details.

HOW IT WORKS

To win your tickets, you must fill out the form below with your name and email and the subject “I want to see Esprit Orchestra: Grand Slam!”

Then do at least one of the following:

  • Tweet the following on Twitter (1 entry).

[Win 2 tickets to Esprit Orchestra Grand Slam! from @EspritOrchestra and @LudwigVanTO — RT to enter! https://goo.gl/R172uu ]

  • Follow the Esprit Orchestra on Instagram. (1 entry).

Please note: No purchase or payment is required. There will be only one winner unless more are specified. If the competition winner makes no contact with one day of notification, the prize may be awarded to an alternate winner. Winners are selected at random. Prizes are non-transferable, and there is no cash value. Tickets must be picked up in person at the venue on the date of the performance (ID Required).

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Ludwig Van

Ludwig Van is an independent digital news media website supported by its audience and sponsors. Our primary focus is on arts coverage, including news reporting and criticism.
Ludwig Van

Ludwig Van

Ludwig Van is an independent digital news media website supported by its audience and sponsors. Our primary focus is on arts coverage, including news reporting and criticism.
Ludwig Van
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