CRITIC’S PICKS | 10 Musical Outings You Absolutely Must Do This Week
By Michael Vincent on November 10, 2014
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By Michael Vincent on November 10, 2014
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By Michael Vincent on November 8, 2014
In a 1950s interview with Robert Craft, Igor Stravinsky was asked to give his opinion about the use of music as accompaniment to recitation. His response: “Do not ask, sins cannot be undone, only forgiven.” Despite Stravinsky’s misgivings, the Art of Time Ensemble (whose aim is to go beyond the classical repertoire) opened its 15th season on Friday night, with a fascinating and varied look at how music and the written word have collided and intersected throughout the ages. Following a series of recited poems, sung poems, tone poems, poets as musicians and musicals inspired by poetry, it was a variety show approach that rapidly swung back and forth from light entertainment to deeply affecting music...
(Continue reading)By Michael Vincent on November 7, 2014
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By Robin Elliott on November 7, 2014
“Live Music is Best.” That is the motto of the musicians’ union, and it could well be the motto of Tanya Tagaq as well. No amount of familiarity with Tagaq’s recordings and videos can prepare one for the impact of witnessing her in live performance.
(Continue reading)By Michael Vincent on November 6, 2014
The Danish National Chamber Orchestra did a little experiment last week. They were curious to see (and hear) what Tango Jalousie by Jacob Gade would sound like after eating one of the worlds hottest Chili Peppers. Watch what happens.
(Continue reading)By Michael Vincent on November 5, 2014
After filling in for an indisposed soprano at the Metropolitan Opera in 1984, Aprile Millo got her big break as Amelia, in Verdi’s Simon Boccanegra. The reviews rolled in, calling her “the Verdi soprano we’ve all be waiting for.” Performing in over 160 performances across 15 different, she has since gone on to become one of the most essential spinto sopranos of our time. She has performed alongside Luciano Pavarotti, Plácido Domingo, Ben Heppner, Herbert von Karajan, Riccardo Muti, James Levine, and Giuseppe Sinopoli (to name a few). Franco Zeffirelli chose her as the singing voice of Elizabeth Taylor in the bio film, “Young Toscanini”. Her career has been nothing short of remarkable, and based upon a single foundation: her voice.
(Continue reading)By Michael Vincent on November 5, 2014
(via) Released just today, virtuoso violinist Lara St. John has taken up the challenge to rework Nicki Minaj’s latest hit “Anaconda”. Renaming it “Anachorda", St. John hired out a number of well-known Vancouver musicians to help her bridge the great style divide. Her approach was to focus on the rhythmic element, rather than the controversial lyrics, which have received some criticism. The original is inspired by Sir Mix-a-Lot’s Baby Got Back, which is all about celebrating a “big butts”...
(Continue reading)By Member on November 5, 2014
Acclaimed as “a world-class ensemble”, Sinfonia Toronto is one of Canada’s finest chamber orchestras. Its repertoire includes all the major works for string orchestra from baroque to contemporary, and it has premiered many new works. It presents its concerts two of the finest concert halls of Toronto: at the CBC’s Glenn Gould Studio, where many of its concerts have been recorded for national broadcast and in the George Weston Recital Hall in North York. The orchestra has recorded for its own label, Marquis Classics EMI, Cambria and Analekta on iTunes.
(Continue reading)By Michael Vincent on November 4, 2014
Musical Toronto's weekly Critic’s Picks are a fully curated list of some of the best concerts happening now through the end of the week. Of course this is not to say we are the provocateurs of taste, but simply seek to provide a good weekly summary. For a look at the full breadth of what’s available in and around Toronto, check out the comprehensive concert listings from our friends at Wholenote Magazine.
(Continue reading)By Neil Crory on November 4, 2014
The American-born, Greek soprano, Maria Callas (1923 - 1977), must hold a record for the sheer number of studio recordings made within a 20 year period: 26 complete operas and 13 recital discs in total. Apart from a few 78 rpms made at the beginning of her career for the CETRA label, all of Callas' subsequent recordings were made by EMI. Together, these discs became the backbone of EMI's rich vocal catalogue.
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