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By Michael Vincent on November 25, 2015
Peter Oundjian and members of the TSO come forward to tell inspiring and personal stories of how SickKids has helped them through some of life's darkest moments.
(Continue reading)By John Terauds on November 25, 2015
One of the ways to sum up the change in our relationship to recorded music over the past two decades is to call it the triumph of mobility over fidelity. John Terauds chats with Belgian musician Piet Goddaer about audio quality and transferring the immediacy of a live concert into recorded sound.
(Continue reading)By Paul E. Robinson on November 25, 2015
Tucson Symphony Orchestra performs a well-planned program, carried off brilliantly by the dynamic maestro Keitaro Harada.
(Continue reading)By Michael Vincent on November 23, 2015
For the second consecutive year, the TSO balance the books.
(Continue reading)By Lev Bratishenko on November 23, 2015
A poem as a review for Opéra de Montréal, Elektra.
(Continue reading)By Ludwig Van on November 20, 2015
The future is here. Meet The Collidoscope, a prototype double granular synth designed and built by researchers Fiore Martin & Ben Bengler.
(Continue reading)By Michael Vincent on November 20, 2015
Punk and Opera collide in Tapestry’s latest exploration of opera evolution.
(Continue reading)By Robin Roger on November 20, 2015
Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten; By Linda Hutcheon and Michael Hutcheon; University of Chicago Press.
(Continue reading)By Joseph So on November 19, 2015
Philippe Boesman's Julie proves to be a striking and memorable take on the original Strindberg, from 1888.
(Continue reading)By Paul E. Robinson on November 19, 2015
This splendid new recording might well prompt renewed interest in this neglected repertoire. The Tsar’s Bride (1899) contains some of the most beautiful and powerful music that Rimsky-Korsakov ever wrote
(Continue reading)
