RECORD KEEPING | Mieczyslaw Weinberg Gets His Due
By Paul E. Robinson on November 21, 2016
Weinberg's takes another step forward with a new release by Naxos featuring Symphony No. 17 and Suite for Orchestra.
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By Paul E. Robinson on November 21, 2016
Weinberg's takes another step forward with a new release by Naxos featuring Symphony No. 17 and Suite for Orchestra.
(Continue reading)By Joseph So on November 19, 2016
Joseph So soaks up the Parisian Salon atmosphere at the Glenn Gould School's Cendrillon.
(Continue reading)By Joshua Denenberg on November 19, 2016
"The tragedy [...] is that the music fails to reflect the tragedy and of the subject matter," says Joshua Denenberg about Tapestry Opera's Naomi’s Road.
(Continue reading)By Arthur Kaptainis on November 18, 2016
First, the Berlin Philharmonic, and now the New York Philharmonic, Arthur Kaptainis (our man about town) gets no peace from blockbuster orchestras.
(Continue reading)By Ludwig Van on November 18, 2016
We're giving away two tickets to see the China Broadcasting Chinese Orchestra with The Ottawa Bach Choir at The Sony Centre For The Performing Arts. Enter now!
(Continue reading)By John Terauds on November 18, 2016
Overly clever programming mars an otherwise graceful end of an era for the TSO's Patricia Krueger.
(Continue reading)By Arthur Kaptainis on November 17, 2016
There is nothing quite like the real thing, as Torontonians were made aware this week with the Berlin Philharmonic at Roy Thomson Hall.
(Continue reading)By Margaret Lam on November 17, 2016
Inspired by Nelson Mandela’s dream and Desmond Tutu’s hope when he named post-apartheid South Africa the “Rainbow Nation,” Soundstreams offers a one-night-only exploration of Canadian and South African cultural identity through song and theatre.
(Continue reading)By Robin Roger on November 17, 2016
Joel Ivany transforms a prosaic venue into an Enlightenment Salon for this 19th-century Version of Cinderella.
(Continue reading)By Joseph So on November 16, 2016
A celebrated Brunnhilde, Sieglinde, Isolde, and Senta, Deborah Voigt bade farewell to her Wagnerian heroines for a recital of standard repertoire at Koerner Hall.
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