FEATURE | A Nod To Toronto's Women Of Music
By Sara Schabas on March 8, 2017
In honour of International Women’s Day, we recognize women in Toronto’s classical music scene breaking the glass ceiling one day at a time.
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By Sara Schabas on March 8, 2017
In honour of International Women’s Day, we recognize women in Toronto’s classical music scene breaking the glass ceiling one day at a time.
(Continue reading)By Nicholas Godsoe on March 8, 2017
Owen Pallett chats about career, co-curating the New Creations Festival, and why he thinks hierarchical distinctions between genres is ridiculous.
(Continue reading)By Robin Roger on March 8, 2017
Under new Artistic Director Jonathan Crow, the Toronto Summer Music Festival announces 2017 season aimed at celebrating Canada’s musical path.
(Continue reading)By Joseph So on March 7, 2017
Canadian bass-baritone chats about his love of singing new music, including his collaboration with composer Owen Pallett for the TSO's New Creations Festival.
(Continue reading)By Paul E. Robinson on March 7, 2017
The Cypress String Quartet wraps a 20-year career with a modern, but cold approach to Brahms' String Sextets featuring violist Barry Shiffman and cellist Zuill Bailey.
(Continue reading)By Sara Schabas on March 6, 2017
CCOC's Brundibár a triumph of hope, love, and joy that sees light shine through seemingly impossible adversity.
(Continue reading)By Arthur Kaptainis on March 6, 2017
Boston Symphony Orchestra keeps the audience on tenterhooks with Berlioz’s Symphonie fantastique at Roy Thomson Hall.
(Continue reading)By Joseph So on March 6, 2017
Critic’s Picks for classical music and opera events happening in and around Toronto for the week of Mar. 6 – 12.
(Continue reading)By Joseph So on March 6, 2017
Friends and fans of opera coach and radio host Stuart Hamilton gathered to celebrate his life with performances of favourite music and readings from Stuart’s own book, Opening Windows.
(Continue reading)By Michael Vincent on March 5, 2017
Opening night of the 13th annual TSO New Creations Festival demonstrates an embarrassment of riches in Canadian contemporary music.
(Continue reading)
