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By Joseph So on April 8, 2018
Bernstein@100 under the auspices of the Royal Conservatory of Music, was something special, thanks to the presence of Jamie Bernstein, the composer’s eldest daughter.
(Continue reading)By Jennifer Liu on April 7, 2018
Ahead of her performance at Koerner Hall this Sunday, we caught up with the rising young Italian pianist Beatrice Rana back-stage for an informal interview that had sweet, fiery and pistachio tasting notes.
(Continue reading)By Arthur Kaptainis on April 6, 2018
Sir Andrew sent us home from Roy Thomson Hall in a hopeful frame of mind Thursday evening after a finely tooled performance of Sibelius’s Fifth Symphony.
(Continue reading)By Ludwig Van on April 6, 2018
Courtesy of our friends at The Toronto Consort, Ludwig Van is sending you and a friend to see Quicksilver Fantasticus at Trinity-St Paul's. Contest closes Wednesday, April 11, 5 p.m. Enter now!
(Continue reading)By John Terauds on April 5, 2018
"For Glenn Gould" provides his own clear-headed renderings that make as much sense as the original, yet sound only like Goodyear.
(Continue reading)By Anya Wassenberg on April 4, 2018
Soundstream's 2018-19 season looks forwards and backwards in provocative ways. Lawrence Cherney walks us through Soundstreams latest season as Toronto's contemporary music keystone.
(Continue reading)By Paul E. Robinson on April 2, 2018
Jaap van Zweden doesn’t officially take over as music director of the New York Philharmonic until September 2018, but their new album hints at the possibilities.
(Continue reading)By Joseph So on April 2, 2018
Classical music and opera events happening in and around Toronto for the week of April 2 – 8.
(Continue reading)By Arthur Kaptainis on March 30, 2018
Even if it feels like something less than a full-blooded opera, The Overcoat is a brilliant theatrical enterprise that can be appreciated for the virtuosity with which Panych (also the director) enlivens the stage.
(Continue reading)By Brian Chang on March 30, 2018
Tafelmusik Chamber Choir members Will Johnson and Francine Labelle offer an insiders glimpse into Bach's eternal choral masterpiece.
(Continue reading)
