SCRUTINY | COC Ends Season With A Musically Triumphant Otello
By Joseph So on April 29, 2019
COC's final production of the season ends with an austere Otello, coloured with novel moments and strong musicality.
(Continue reading)We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
By Joseph So on April 29, 2019
COC's final production of the season ends with an austere Otello, coloured with novel moments and strong musicality.
(Continue reading)By Paula Citron on April 26, 2019
Tarragon Theatre's Old Stock paints an immigrant’s story as a rousing, toe-tapping klezmer musical with a decidedly dark edge.
(Continue reading)By Stephan Bonfield on April 18, 2019
In the wake of yet another conductor abruptly dropping out due to illness from a major TSO event, Matthew Halls steps in to score a triumph with Mahler's Resurrection Symphony.
(Continue reading)By Arthur Kaptainis on April 18, 2019
Canadian Opera Company's revamped 2013 production of La Bohème comes equipped with an unfettered concept, fine singing, and a committed cast.
(Continue reading)By Paula Citron on April 17, 2019
Sight gags, pratfalls, gimmicks, sound effects, not to mention hovering helicopters, leaking roofs, and fires — all the tools of physical farce drive Bigre at Canadian Stage.
(Continue reading)By Paula Citron on April 15, 2019
A packed house was on hand at the Citadel for Four Old Legs, the new duet that revered choreographer James Kudelka’s created for Hart and Zhenya Cerneacov.
(Continue reading)By Stephan Bonfield on April 11, 2019
UK conductor Kerem Hasan makes his short notice Canadian debut at the TSO with Beethoven's epic pathbreaking Symphony No. 3 “Eroica”.
(Continue reading)By Paula Citron on April 11, 2019
Beautiful is the quintessential Broadway jukebox musical lite that is guaranteed to keep you thoroughly entertained.
(Continue reading)By Joseph So on April 8, 2019
Women’s Musical Club of Toronto presented young piano phenom Mariam Batsashvili for her Canadian debut, leaving just about everyone on their feet.
(Continue reading)By Arthur Kaptainis on April 8, 2019
The ingredients, Sunday afternoon, were there: Koerner Hall, a big crowd, a program of late Beethoven and an American pianist of high repute, Richard Goode, who had the wherewithal to realize the glories of this special repertory. Most of the time.
(Continue reading)
