SCRUTINY | A Surprising Rendition With Pax Christi Chorale’s The Apostles
By Brian Chang on May 1, 2017
Pax Christi Chorale's performance of Edward Elgar’s The Apostles a fitting goodbye to conductor Stephanie Martin.
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By Brian Chang on May 1, 2017
Pax Christi Chorale's performance of Edward Elgar’s The Apostles a fitting goodbye to conductor Stephanie Martin.
(Continue reading)By Joseph So on April 26, 2017
Trio Magnifico marks one of the most exciting events of the concert season, and certainly one of the most memorable, ever.
(Continue reading)By Stephan Bonfield on April 25, 2017
Opera Atelier's Media is the product of astonishing creative imagination and nothing less than a masterful artistic synthesis.
(Continue reading)By Paul E. Robinson on April 25, 2017
This week we review the much-anticipated new documentary/album release about the reclusive and mysterious Russian pianist Grigory Sokolov.
(Continue reading)By Joseph So on April 24, 2017
All good things must come to an end, as they say. Just before 2200 hours last Monday at the Deutsche Oper, the last notes of the Immolation Scene from the resplendent orchestra faded into thin air.
(Continue reading)By Arthur Kaptainis on April 24, 2017
While some observers have looked warily on this 50-year-old collaboration of two white guys, the perspective is favourable to the cause of human rights and critical of the establishment.
(Continue reading)By John Terauds on April 21, 2017
In his first recording for the London, England-based label Orchid Classics, Goodyear lays out the substantive core of Ravel’s output for solo piano.
(Continue reading)By Joseph So on April 18, 2017
With the Prologue, otherwise known as Das Rheingold, having set the scene, we’re now down to the business of Die Walküre at Deutsche Oper Berlin.
(Continue reading)By Paul E. Robinson on April 18, 2017
While Thielemann’s results may not be to everyone’s taste, he gets what he wants and what he wants is uncommonly good.
(Continue reading)By Joseph So on April 16, 2017
Our man about town Joseph So reviews the last hurrah of the Götz Friedrich Ring Cycle with Das Rheingold and a cast that fully demonstrates the artistic depth of Deutsche Oper.
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