It is the music that makes a Béatrice et Bénédict revival worthwhile and in this Glyndebourne production.

To the average concertgoer, Rachmaninov is probably best known for writing lush, romantic melodies and music of great passion; that said, he was also a man with an appreciation for the darker side of life.

Haiou Zhang offers a bracing, dynamic new perspective on two much-recorded Mozart piano concertos.

At last, Deutsche Grammophon has done the right thing and released a box-set of complete recordings dedicated to Rafael Kubelik, one of the greatest Czech conductors of all time.

Now, at the age of 46, Kissin is again recording for DG, and this new all-Beethoven release confirms his stature as an artist of the first rank.

While Thielemann’s results may not be to everyone’s taste, he gets what he wants and what he wants is uncommonly good.

A long overdue tribute to one of the great Canadian musicians of the past half-century.

It's rough around the edges, but this new Emil Gilels release by Deutsche Grammophon stirs memories well worth revisiting.

In his first recording for the London, England-based label Orchid Classics, Goodyear lays out the substantive core of Ravel’s output for solo piano.

Although I have heard Gergiev and the Mariinsky Orchestra give stunning performances over the years, too often they seem to be on automatic pilot. Let’s hope they can summon up some energy and inspiration for Friday’s Roy Thomson Hall performance.