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By Brian Chang on March 24, 2018
Lydia Adams walks us through the Amadeus Choir’s Conductor’s Workshop, and explains why this has annual tradition has become such a valuable tool for choral conductors on the rise.
(Continue reading)By Matthew Timmermans on March 21, 2018
“Opera spelt backwards” is how tenor Jonathan MacArthur describes Belladonna - a queer techno opera, the latest experiment by Toronto indie opera company FAWN Chamber Creative.
(Continue reading)By Jennifer Liu on March 21, 2018
When it comes to new music, Vivian Fung doesn’t care about negative or positive press, so long as her pieces draw some kind of response. “Whether it’s positive or negative – it’s good to have ANY reaction.”
(Continue reading)By Brian Chang on March 6, 2018
David Fallis tells us how Water Passion will challenge your cognition of music, your capacity for storytelling, and your conceptions of the Passion of Christ.
(Continue reading)By Brian Chang on February 24, 2018
Behinds the scenes at the upcoming Power Up Gospel Music Festival with the Toronto Mass Choir, the PowerUp Youth Choir, the PowerUp Chorale, and the PowerUp Mass Choir.
(Continue reading)By Brian Chang on February 13, 2018
Lions, and tigers, and bears! Oh, my! Ludwig van Toronto chats with guest conductor Emil de Cou and TSO Principal Double Bassist Jeffrey Beecher about the upcoming performance of The Wizard of Oz with live orchestra.
(Continue reading)By Matthew Timmermans on February 11, 2018
A helpful guide for those planning to see the Canadian Opera Company’s Mozart’s The Abduction from the Seraglio.
(Continue reading)By Matthew Timmermans on February 8, 2018
With their first production and the Canadian premiere of Jake Heggie’s one-act operas Another Sunrise and Farewell Auschwitz, the Electric Bond Ensemble tells more than just another Holocaust story.
(Continue reading)By Matthew Timmermans on February 7, 2018
Although the concept of a Hip-Hop Opera is not new, Tapestry Opera’s Forbidden may have the inspiration to make this one work.
(Continue reading)By Hye Won Cecilia Lee on January 18, 2018
Drawing from the kitchen sink: Morse code, the sounds of insects and animals, a youthful impression of California past, and visceral loneliness in the stark landscape of Iceland. How did we get here? Continuum's Ryan Scott walks us through it.
(Continue reading)
