INTERVIEW | Natalya Gennadi: "It's Like Tosca And Traviata In One Opera"
By Sara Schabas on May 14, 2017
Natalya Gennadi sheds any preconceptions on being unexpectedly cast in Tapestry Opera's Oksana G.
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By Sara Schabas on May 14, 2017
Natalya Gennadi sheds any preconceptions on being unexpectedly cast in Tapestry Opera's Oksana G.
(Continue reading)By Joseph So on May 8, 2017
From the first bar of the overture on, for two and a half hours without an intermission, Nézét-Séguin had the audience in his grip, says Joseph So.
(Continue reading)By Joseph So on May 7, 2017
Joseph So on Richard Strauss's “Der Rosenkavalier,” at the Met, starring Renée Fleming as the Marschallin.
(Continue reading)By Jennifer Liu on May 3, 2017
Two First Nations cast members from Canadian Opera Company have allegedly been assaulted between performances of Louis Riel.
(Continue reading)By Joseph So on May 1, 2017
Warhorse? Potboiler? “Shabby little shocker” as coined by musicologist Joseph Kerman? Never mind! Puccini had the last laugh with Tosca.
(Continue reading)By Sara Schabas on April 27, 2017
If you happened to be wandering Toronto and stumbled across some flamboyantly dressed people speaking a boisterous Russian, you may have been lucky enough to catch sight of famed opera diva Anna Netrebko.
(Continue reading)By Joseph So on April 26, 2017
Trio Magnifico marks one of the most exciting events of the concert season, and certainly one of the most memorable, ever.
(Continue reading)By Stephan Bonfield on April 25, 2017
Opera Atelier's Media is the product of astonishing creative imagination and nothing less than a masterful artistic synthesis.
(Continue reading)By Joseph So on April 24, 2017
All good things must come to an end, as they say. Just before 2200 hours last Monday at the Deutsche Oper, the last notes of the Immolation Scene from the resplendent orchestra faded into thin air.
(Continue reading)By Arthur Kaptainis on April 24, 2017
While some observers have looked warily on this 50-year-old collaboration of two white guys, the perspective is favourable to the cause of human rights and critical of the establishment.
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