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By Matthew Timmermans on February 11, 2018
A helpful guide for those planning to see the Canadian Opera Company’s Mozart’s The Abduction from the Seraglio.
(Continue reading)By Michael Vincent on February 10, 2018
In a surprise announcement made mid-afternoon yesterday, Canadian Opera Company’s General Director Alexander Neef has taken a second appointment as the first Artistic Director of Santa Fe Opera.
(Continue reading)By Matthew Timmermans on February 8, 2018
With their first production and the Canadian premiere of Jake Heggie’s one-act operas Another Sunrise and Farewell Auschwitz, the Electric Bond Ensemble tells more than just another Holocaust story.
(Continue reading)By Joseph So on February 8, 2018
This Abduction is one director-driven production that is thoughtful and well-considered, and it deserves to be seen.
(Continue reading)By Matthew Timmermans on February 7, 2018
Although the concept of a Hip-Hop Opera is not new, Tapestry Opera’s Forbidden may have the inspiration to make this one work.
(Continue reading)By Joseph So on February 2, 2018
On the occasion of his North American debut, the Swiss tenor shares his thoughts on singing Mozart, hiking in the mountains, and Roger Federer.
(Continue reading)By Matthew Timmermans on January 31, 2018
This week, we asked a crucial question: “why is opera important, and what is next for the genre?” And who better to answer this question than the artistic directors of Toronto’s opera companies?
(Continue reading)By Michael Vincent on January 26, 2018
Canada’s premiere opera/ballet company Opera Atelier has announced the 2018–19 season featuring two French Baroque operas: Charpentier’s Actéon and Rameau’s Pygmalion.
(Continue reading)By Matthew Timmermans on January 24, 2018
University of Toronto New Music Festival asks “where do we go from here?” The answer may surprise you.
(Continue reading)By Michael Vincent on January 23, 2018
Just two months away from the Toronto debut of Nikolai Gogol’s The Overcoat: A Musical Tailoring, Tapestry Opera has announced the casting for the much anticipated operatic comic-tragedy.
(Continue reading)
