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By Anya Wassenberg on March 13, 2018
Love it or hate it, the people have spoken. Classical crossover is more popular than traditional classical music, and it's only just getting started.
(Continue reading)By Brian Chang on March 12, 2018
Interview and commentary from choral conductor William Weinart (Eastman) and Don Mclean (U of T) on the vacancy created by Hilary Apfelstadt's departure as Director of Choral Activities at the University of Toronto.
(Continue reading)By Matthew Timmermans on March 8, 2018
Stabbed, yelled at, beaten, treated like children, and made to go mad. Are female characters getting a fair shake against our "woke" contemporary standards?
(Continue reading)By Sara Schabas on March 8, 2018
Strong female musicians abound in this city, and the increased emphasis on the #MeToo and #TimesUp movement continues to expose and inspire female leadership and much-needed change in the arts.
(Continue reading)By Robin Roger on March 7, 2018
The Next Generation of Piano Six is the best possible example of what goes around comes around.
(Continue reading)By Robin Roger on March 1, 2018
Ludwig Van's Robin Roger shares her first-hand experience hobbling through some of Toronto's most well-known concert halls in search of a good seat.
(Continue reading)By Anya Wassenberg on February 16, 2018
The growing popularity of nostalgic flicks brought to life with a live orchestra has been gaining serious ground. We interviewed three major players behind this trend to find out exactly what's going on.
(Continue reading)By Matthew Timmermans on February 11, 2018
A helpful guide for those planning to see the Canadian Opera Company’s Mozart’s The Abduction from the Seraglio.
(Continue reading)By Matthew Timmermans on February 7, 2018
Although the concept of a Hip-Hop Opera is not new, Tapestry Opera’s Forbidden may have the inspiration to make this one work.
(Continue reading)By Hye Won Cecilia Lee on February 6, 2018
Where most post-secondary schools have long since abandoned serious music education, and summer programs provide only seasonal work, the TSYO offers young musicians the experience orchestral life all year round.
(Continue reading)
