We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
By Matthew Timmermans on February 7, 2018
Although the concept of a Hip-Hop Opera is not new, Tapestry Opera’s Forbidden may have the inspiration to make this one work.
(Continue reading)By Hye Won Cecilia Lee on February 6, 2018
Where most post-secondary schools have long since abandoned serious music education, and summer programs provide only seasonal work, the TSYO offers young musicians the experience orchestral life all year round.
(Continue reading)By Joseph So on February 2, 2018
On the occasion of his North American debut, the Swiss tenor shares his thoughts on singing Mozart, hiking in the mountains, and Roger Federer.
(Continue reading)By Matthew Timmermans on January 31, 2018
This week, we asked a crucial question: “why is opera important, and what is next for the genre?” And who better to answer this question than the artistic directors of Toronto’s opera companies?
(Continue reading)By Anya Wassenberg on January 25, 2018
The journey of Rosemarie Umetsu from budding concert pianist to designer of choice to the classical music set and host-patron of musical soirées is a circular one. In the beginning, it was all about the music, and the piano she studied and practiced at for hours on end.
(Continue reading)By Brian Chang on January 23, 2018
Now in its 8th year, The Toronto Mendelssohn Choir and Elora Singers' annual Conductors Symposium pull no punches for young hopefuls testing their skills behind a formidable podium.
(Continue reading)By Jennifer Liu on January 22, 2018
As Koerner Hall approaches its tenth birthday, Mervon Mehta is keeping things ever-fresh at the Royal Conservatory of Music.
(Continue reading)By Matthew Timmermans on January 20, 2018
A helpful guide for those planning to see the Canadian Opera Company’s upcoming performances of Giuseppe Verdi’s Rigoletto this week.
(Continue reading)By Hye Won Cecilia Lee on January 18, 2018
Drawing from the kitchen sink: Morse code, the sounds of insects and animals, a youthful impression of California past, and visceral loneliness in the stark landscape of Iceland. How did we get here? Continuum's Ryan Scott walks us through it.
(Continue reading)By Hye Won Cecilia Lee on January 15, 2018
Following the success of Alison Mackay’s productions, The Galileo Project and Tales of Two Cities, comes Safe Haven, Mackay's latest multimedia concert program opening this week.
(Continue reading)
