EDITORIAL | The Story Behind Trump And Pavarotti's Alleged Friendship
By Michael Vincent on August 13, 2020
Were Donald Trump And Luciano Pavarotti really friends? We found out.
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By Michael Vincent on August 13, 2020
Were Donald Trump And Luciano Pavarotti really friends? We found out.
(Continue reading)By Michael Vincent on July 22, 2020
Naked and afraid: Pondering the future of classical music amid COVID-19.
(Continue reading)By Peter Goddard on June 28, 2019
The international recording industry is in panic catch-up mode in response to raves for Lang Lang’s performance of Beethoven’s Für Elise.
(Continue reading)By Michael Vincent on February 20, 2019
The idea of weaponizing classical music as a deterrent against loitering and crime may be a painful one for music aficionados, but does it work?
(Continue reading)By Lev Bratishenko on October 18, 2018
As the first COC commission to get a mainstage premiere since 1999, Hadrian has the impossible task of justifying all the other operas that did not get made.
(Continue reading)By Matthew Timmermans on March 8, 2018
Stabbed, yelled at, beaten, treated like children, and made to go mad. Are female characters getting a fair shake against our "woke" contemporary standards?
(Continue reading)By Anya Wassenberg on December 1, 2017
Toronto is one of the most culturally diverse cities in the world, yet the leadership of Toronto's largest arts presenters remain mostly white and male. We aim to find out why.
(Continue reading)By Hye Won Cecilia Lee on October 21, 2017
As part of the #MeToo movement, we wanted to hear from those in the classical music community brave enough to share their experiences. We didn't need to look too far to find them, and their stories shake us to the core.
(Continue reading)By Michael Vincent on August 31, 2017
A word from our publisher to you, our readers, as we look ahead to the future, the here and the now of music coverage online.
(Continue reading)By John Terauds on September 27, 2015
John Terauds shares his thoughts on the search for meaning and appreciation in music. What about simply letting the music be what it is?
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