LISZTS | Ten Composers Who Didn't Quit Their Day Jobs
By Michael Vincent on April 9, 2019
Did you know Vivaldi was a priest, and Holst was a high school teacher? Ten composers who didn't quit their day jobs.
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By Michael Vincent on April 9, 2019
Did you know Vivaldi was a priest, and Holst was a high school teacher? Ten composers who didn't quit their day jobs.
(Continue reading)By Joseph So on April 8, 2019
Women’s Musical Club of Toronto presented young piano phenom Mariam Batsashvili for her Canadian debut, leaving just about everyone on their feet.
(Continue reading)By Arthur Kaptainis on April 8, 2019
The ingredients, Sunday afternoon, were there: Koerner Hall, a big crowd, a program of late Beethoven and an American pianist of high repute, Richard Goode, who had the wherewithal to realize the glories of this special repertory. Most of the time.
(Continue reading)By Michael Vincent on April 8, 2019
Twenty-seven-year-old UK conductor Kerem Hasan has replaced Louis Langrée in upcoming concerts with the Toronto Symphony Orchestra.
(Continue reading)By Joseph So on April 8, 2019
Classical music and opera events happening in and around Toronto for the week of April 8 – 14.
(Continue reading)By Paula Citron on April 6, 2019
If ever there was a production where the stage picture bears no relation to the libretto, it is this. The musical forces, however, are outstanding.
(Continue reading)By Joseph So on April 5, 2019
Landing in their new home at the Ed Mirvish Theatre, Mozart's Idomeneo marks an evening of triumph for Opera Atelier.
(Continue reading)By Paula Citron on April 5, 2019
Corbeil-Coleman’s provocative Guarded Girls is an important play that addresses serious issues. It’s only at the end that you realize just how ironic the title is.
(Continue reading)By Anya Wassenberg on April 4, 2019
What is it that sets apart an average violinist from a virtuoso? A newly developed AI program confirms it's all in the details.
(Continue reading)By Anya Wassenberg on April 3, 2019
Staff at La Passerelle called the situation a “free for all,” where staff, managers and their families, and others with personal connections to the couple used tickets at will.
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