SCRUTINY | Musical Version Of Emma Donoghue’s ‘Room’ Misses The Mark
By Paula Citron on April 13, 2022
Why, oh why, must every book or film be turned into a musical?
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By Paula Citron on April 13, 2022
Why, oh why, must every book or film be turned into a musical?
(Continue reading)By Paula Citron on April 12, 2022
Sean Dixon’s new work 'Orphan Song' is one of the most unusual plays that I have ever seen.
(Continue reading)By Paula Citron on April 12, 2022
With compelling moments, the parts of American playwright Annie Baker’s 'The Antipodes' are greater than the whole.
(Continue reading)By Paula Citron on April 11, 2022
Exhilarating is the first word that came to mind at the end of the world premiere of George F. Walker’s 'Orphans for the Czar' at Crow’s Theatre.
(Continue reading)By Paula Citron on April 7, 2022
The Shaw's remount of Cyrano de Bergerac is enjoyable and gutsy, albeit with a slight blip.
(Continue reading)By Paula Citron on April 6, 2022
Montreal-based Anne Plamondon, 47, is one of the best-known and best-loved contemporary dancers in the country.
(Continue reading)By Paula Citron on April 5, 2022
'An IMM-Permanent Resident' is a journey of genuine chuckles through the absurdities and vicissitudes of the Canadian immigration system.
(Continue reading)By Paula Citron on March 30, 2022
Daniel Brooks' new solo show 'Other People' is defiant, courageous, gutsy — use any word you want — in facing death head on.
(Continue reading)By Paula Citron on March 22, 2022
No one can remain unmoved by the captivating performance and message of Makambe K. Simamba's 'prayer for Black Life'.
(Continue reading)By Paula Citron on March 20, 2022
It’s hard to believe that the National Ballet has been performing Rudolf Nureyev’s version of The Sleeping Beauty for 50 years.
(Continue reading)