The Ottawa New Music Creators (ONMC) are launching the first ever Ottawa New Music Festival this fall on October 17 and 18. The festival takes over the Alma Duncan Salon of the Ottawa Art Gallery for a weekend of new sounds.
October 17 is the International Day for the Eradication of Poverty, and the festival opens with Horvat’s Almost Homeless, offering an unflinching look at the realities of living in Ottawa today. The largely Canadian program also includes works by composers Harry Stafylakis, Jocelyn Morlock, cellist India Gailey, and others.
We spoke to Zac Pulak of SHHH!! Ensemble — percussionist Zac Pulak and pianist Edana Higham — the Artistic Directors, about the festival.
A Brand New Festival
“The organization has actually been around since 2008,” Zac notes of the ONMC. The organization began producing concerts in 2021. SHHH!! Ensemble took over as Artistic Directors in 2021, continuing ONMC’s established schedule of presenting four concerts each year. After a couple of years, it began to make more sense to create a single festival rather than spread the organization’s resources over a four concert schedule.
“We decided to condense it into a two-day new music extravaganza,” Zac says.
He notes the availability of a great space in the Ottawa Art Gallery, one that is both music-friendly and accessible by either car or public transportation.
“We just wanted to create more opportunities for people in the Ottawa area to experiment with new sounds,” he says, pointing out the lack of a dedicated new music presenter in the region. It’s about providing more opportunities for the work of creators to reach audiences, simply put.
The response in the weeks leading up to the festival have been encouraging.
“We’ve had a really good reception so far. There’s some buzz about the festival,” he says. It’s attracting a stream of new audience members. There seems to be a surge of interest in new music. “There seems to be a lot of people like us that are starting series, or reinvigorating series,” Zac notes.
October 17: Almost Homeless (World Premiere)
Frank’s composition began with taking field recordings of conversations with Ottawa residents about their struggles with money and the high cost of living. Their reflections, and footage, are woven into the music. ONMC Artistic Directors SHHH!! Ensemble and Ottawa-based violinist Erica Miller will perform the piece.
SHHH!! will return for the second half of the concert to perform pieces by Harry Stafylakis, Jocelyn Morlock, and Micheline Roi.
“This is kind of the next instalment in our continuing relationship with Frank,” Zac says. SHHH!! Ensemble performs Horvat’s 2023 release, An Auditory Survey of the Last Days of the Holocene, and Zac says that Almost Homeless will be on their next album.
“It seemed like a really interesting and poignant way to kick off this new music festival we’re starting,” Zac says. “The piece is extremely powerful.” He likens it in terms of sentiment and scope, if not musically, to Steve Reich’s Different Trains. “The interviews are woven into the piece.” Along with the actual words of the Ottawa residents Frank interviewed, there are elements like spoken facts and figures that become part of the musical matrix. “It’s quite interesting,” he adds.
Composer Frank Horvat talks about the piece in a statement.
“I’ve been motivated to compose this piece for well over five years, as I was shocked by media reports of prominent artists being forced to leave my current city of residence, Toronto, due to financial insecurity. Since then, inflation, unaffordable housing, and food scarcity have impacted nearly every segment of society in every city.
“Having been born and raised in Ottawa, it was impactful for me to learn more about another side of Ottawa I did not know. It was deeply moving to hear people open up about the thoughts that keep playing around in their minds, and the very real problems they are struggling with everyday. This isn’t just an issue facing artists, this is much bigger and is impacting people deeply. Holding the weight of the emotion and the lack of hope many of the people I talked to have was heartbreaking. I felt this odd sense of grief while composing much of the piece. Not only are the current financial challenges great, but it truly doesn’t seem like we will turn a corner without a huge re-prioritizing of what is important in society.
“Although there is some hope in the piece and solutions that seem to be working but overall, I’ve come out of this experience with such a heavy sadness. There is so much struggle financially and emotionally just under the surface. This shouldn’t have happened in a country with so much wealth like ours. We need a future with hope and there doesn’t seem to be any right now. We’ll never solve the big problems in the world if we are living our everyday without hope.”
October 18: Triple Header
Halifax-based cellist, composer, and improviser India Gailey, Montreal-based percussionist David Brongo, and Ottawa-based harpist Michelle Gott will each perform a set in this triple bill concert.
India Gailey will perform works from her 2024 release Problematica. Gailey sings as well as plays cello through the works of seven Canadian composers, whose work she commissioned for the album: Sarah Rossy, Julia Mermelstein, Nicole Lizée, Joseph Glaser, Andrew Noseworthy, Fjóla Evans, Thanya Iyer.
David Brongo will also perform selections from a recent album, Confluence, featuring works by contemporary French Canadian composers Patrick Giguère, Pierre Béluse, Micheline Coulombe Saint-Marcoux, and Claude Vivier.
Michelle Gott will perform works by Ottawa-based composer John Gordon Armstrong and a world premiere composition of her own, along with pieces by Andrew Staniland and Takashi Yoshimatsu.
The OAG’s Skylounge is available for mingling with the Festival Artists during intermissions and after the show.
Stretching Ears
New music is most often touted as a hard sell, but it seems to be finding an audience these days.
“New music people are their own worst enemies in some ways,” Zac says. Having a friendlier and welcoming vibe, rather than an elitist or academic focus, is key. “All the people are very approachable.”
The goal is to help audiences stretch their ears a little and hear something new.
“We just hope we get a lot of people who have never been to anything like this before,” he says.
- Find event details and tickets [HERE].
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