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Ludwig Van
Toronto Montreal

LEBRECHT LISTENS | With 'Time and Eternity', Patricia Kopatchinskaja Is Proving That The Concept Album Still Works

By Norman Lebrecht on September 6, 2019

Patricia Kopatchinskaja: Time and Eternity (Alpha-Classics)

★★★★★
🎧 Apple Music | Spotify |  Amazon

Just when everyone has given up on concept albums, up pops Pat Kop with a really interesting concept, one that — being Pat Kop — is strictly inimitable. The title hints at vague cosmic fusions between great faiths, but the material the great violinist assembles is pertinent, unusual and brilliantly played.

She starts with the Jewish Yom Kippur invocation of Kol Nidrei – not the overworked Bruch, nor even the Schoenberg, but a deep, dark, treasurable meditation by the New York composer, John Zorn, that I had never heard before. She follows that with three voices singing the post-Sabbath hymn Eliyahu Hanavi, a theme that the dissident Munich composer Karl Amadeus Hartmann used in the finale of his 1934 anti-Nazi Concerto Funèbre, a work of overwhelming courage, resistance and faith. I don’t think I have ever heard the piece better played, and it needs to he heard much more.

Christian chorales follow — Russian, Polish, J. S. Bach — interspersed with episodes by the Swiss composer Frank Martin, to whom I have never given much time of day. Placed, however, in an introspective context, he sounds more intriguing. A Czech modern, Lubos Fiser, has something to say for violin timpani and bells. There is a certain messiness to this album. Not everything fits together the way it should. But the playing of Pat Kop and the Camerata Bern captures the ear and suspends disbelief. No living violinist comes close to this scale of adventure. This review can only be five stars or one, and I know which I choose.

 

To read more from Norman Lebrecht, follow him on Slippedisc.com.

LUDWIG VAN TORONTO

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Ludwig Van Toronto

THE SCOOP | Tafelmusik Reissues Recording Of Black 18th Century Polymath Joseph Bologne

By Michael Vincent on May 6, 2021

An 18th century composer with a demeaning nickname is being recognized with an album reissue.
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LEBRECHT LISTENS | We Expect Oracles From Composers In Ominous Times

By Norman Lebrecht on April 23, 2021

We expect oracles from composers in ominous times, but it is the interpreters Benjamin Baker and Daniel Lebhardt, who bring out the terrors and anxieties that rumble beneath these works.
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LEBRECHT LISTENS | Beethoven That Sings Like A Pentecostal Nightingale

By Norman Lebrecht on May 7, 2021

The Aris play Beethoven with sweeping flair and something close to insouciance on this recent recording.
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