FORT WORTH, TX – Briefly, because within hours the final results of the 15th Van Cliburn International Piano Competition will be flooding the airwaves: We had a fight on Friday night. Between nations, selections and, inevitably, styles.
First to speak was Yury Favorin, 30, in Prokofiev’s Piano Concerto No. 2. Here was industrial strength playing from a faithful exponent of the Moscow Conservatory. No need for the brass and percussion of the Fort Worth Symphony under Leonard Slatkin to hold back. Not with this muscleman at the keyboard.
It could be argued that the great cadenza of the first movement — in formal point of fact, the development — should have had more ups and downs in intensity. And Favorin has a curious tendency to hang tough where Prokofiev appears to offer (as in the “lullaby” tune of final movement) poetic relief. Still, there is something about his all-business style that commands respect. “He bores me in a good way,” was the explanation I offered a baffled colleague.
Next came Kenneth Broberg, 23, who got a big welcome and bigger ovation for Rachmaninoff’s Rhapsody on a Theme of Paganini. Of course, the piece itself is an audience favourite, but this American contestant smartly characterized each variation and captured the gravity of the darker invocations. There was a nice turn in that charmingly understated final measure.
Will either of these worthies withstand Rachmaninoff’s Piano Concerto No. 3 as rendered blazingly clear by Yekwon Sunwoo, 28, of South Korea? Hearing all the notes might not be the sine qua non in the more mysterious interludes of the first two movements, which need colour, not crispness. But Sunwoo created a riveting finale. And the applause! There are competitions that do not permit curtain calls. Something tells me this rule would not work in Texas.
The second and final concerto round starts at 4 p.m. eastern time. If you are in Fort Worth, stroll over to Sundance Square to watch the outdoor simulcast. Elsewhere, tune in http://cliburn2017.medici.tv.
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