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UPDATE | Three Strong Performances But The Cliburn Winner Is TBA

By Arthur Kaptainis on June 10, 2017

Rachel Cheung of Hong Kong performs with the Brentano String Quartet on Thursday in the Final Round of the Fifteenth Van Cliburn International Piano Competition held at Bass Performance Hall in Fort Worth, Texas. (Photo: Carolyn Cruz)

FORT WORTH, TX – Briefly, because within hours the final results of the 15th Van Cliburn International Piano Competition will be flooding the airwaves: We had a fight on Friday night. Between nations, selections and, inevitably, styles.

First to speak was Yury Favorin, 30, in Prokofiev’s Piano Concerto No. 2. Here was industrial strength playing from a faithful exponent of the Moscow Conservatory. No need for the brass and percussion of the Fort Worth Symphony under Leonard Slatkin to hold back. Not with this muscleman at the keyboard. 

It could be argued that the great cadenza of the first movement — in formal point of fact, the development — should have had more ups and downs in intensity. And Favorin has a curious tendency to hang tough where Prokofiev appears to offer (as in the “lullaby” tune of final movement) poetic relief. Still, there is something about his all-business style that commands respect. “He bores me in a good way,” was the explanation I offered a baffled colleague.

Next came Kenneth Broberg, 23, who got a big welcome and bigger ovation for Rachmaninoff’s Rhapsody on a Theme of Paganini. Of course, the piece itself is an audience favourite, but this American contestant smartly characterized each variation and captured the gravity of the darker invocations. There was a nice turn in that charmingly understated final measure.

Will either of these worthies withstand Rachmaninoff’s Piano Concerto No. 3 as rendered blazingly clear by Yekwon Sunwoo, 28, of South Korea? Hearing all the notes might not be the sine qua non in the more mysterious interludes of the first two movements, which need colour, not crispness. But Sunwoo created a riveting finale. And the applause! There are competitions that do not permit curtain calls. Something tells me this rule would not work in Texas. 

The second and final concerto round starts at 4 p.m. eastern time. If you are in Fort Worth, stroll over to Sundance Square to watch the outdoor simulcast. Elsewhere, tune in http://cliburn2017.medici.tv.

For more CLASSICAL MUSIC NEWS, visit HERE.

#LUDWIGVAN

Arthur Kaptainis

Arthur Kaptainis

Arthur Kaptainis has been the classical music critic of the Montreal Gazette since 1986 and wrote for the National Post 2010-2016. His articles have appeared in Classical Voice North America and La Scena Musicale as well as Ludwig Van. Arthur holds an MA in musicology from the University of Toronto.
Arthur Kaptainis

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THE SCOOP | Canadian Opera Company Announce Two New Opera Commissions

By Michael Vincent on December 11, 2018

The Canadian Opera Company today announced two major opera commissions: The Old Fools by Ana Sokolović, and La Reine-Garçon by Julien Bilodeau.
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INTERVIEW | Why Pianist Gabriela Montero Will Not Shy Away

By Hye Won Cecilia Lee on November 23, 2018

We caught up with pianist Gabriela Montero to talk about her latest program of works combining classical piano improvisations and compositions, and why she is telling the story of Venezuela.
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THE SCOOP | In The Spirit Of Handel's Messiah, Tafelmusik Gives Back With Charity Event

By Stephan Bonfield on December 10, 2018

Tafelmusik's 2018 partnership with CBC Sounds of the Season and Daily Bread Food Bank benefits families in need and goes straight to the heart of Messiah's message of compassion and generosity, hope and faith.
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