Ahead of the first of four concerts with Tafelmusik in his Toronto début this week, fortepiano master Kristian Bezuidenhout eloquently answered questions about what makes his instrument different from a modern concert grand.
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He is a remarkable eloquent advocate. Here is about a third of our interview, roughly cut so that I could get this out ahead of Thursday first performance at Jeanne Lamon Hall, Trinity-St Paul’s Centre.
For more information on the concerts themselves, click here.
John Terauds
Latest posts by John Terauds (see all)
- Classical Music 101: What Does A Conductor Do? - June 17, 2019
- Classical Music 101 | What Does Period Instrument Mean? - May 6, 2019
- CLASSICAL MUSIC 101 | What Does It Mean To Be In Tune? - April 23, 2019