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Beware the subversive power of the church organist, says new British survey

By John Terauds on May 5, 2013

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A couple of days before I take on the big Rathgeb Casavant organ at the Church of the Holy Trinity at the Eaton Centre, the Telegraph has published an article about the antics of church organists in England.

This is probably only news to people who don’t attend church regularly, but organists are a sneaky lot, who find sly ways to comment musically on the goings on within their consecrated walls.

The Telegraph‘s religious affairs editor John Bingham compiled the highlights from a survey of churches:

Among examples cited was that of the organist in Scotland who had fallen out with some of the elders in the Kirk but got his own back by inserting a thinly disguised rendition of “Send in the Clowns” as they processed in for a Sunday service.

Elsewhere, a vicar sacked an organist after he played “Roll out the Barrel” at the funeral of a man known to have been fond of a drink.

In one decidedly high church congregation, an organist punctured the mood of reverence as an elaborately dressed clergyman processed back after the gospel reading – by playing the theme tune to The Simpsons.

Another congregation found themselves passing around the collection plate to the strains of “Money, Money, Money” by Abba.

The survey uncovered examples of Eucharist celebrations livened up with renditions of Bon Jovi’s “Livin’ on a Prayer”; the theme tunes from the Magic Roundabout, Blackadder and Harry Potter and even “I’ve Got a Lovely Bunch of Coconuts”.

Sung Evensong – widely regarded as the jewel in the crown of English choral music – has been spiced up with such unexpected offerings as “I’m a Barbie Girl” and “I’m Forever Blowing Bubbles”

One organist who responded confessed to playing hits by Oasis, Billy Bragg and even Kylie Minogue in services but added: “Nobody notices – I do it all the time.”

But when an organist played a slowed-down version of Supercalifragilisticexpialidocious from Mary Poppins, even the most tone deaf members of the congregation eventually recognised it, sending them into gales of laughter.

An older bridegroom took it in good humour when the organist played “No one loves a fairy when she’s 40” at his wedding, while candidates at a confirmation service were left perplexed to hear the strains of “I’m a Little Teapot” from the organ loft.

Stephen Goddard, of Christian Research, said: “It’s an oft-repeated adage in church circles – ‘What’s the difference between an organist and a terrorist? -you can negotiate with a terrorist’.

“Hidden from view, your local church organist may appear unassuming and self-deprecating, but like any true artist, he or she can be eccentric, mischievous and very opinionated.

“Mess with him at your peril – he will pull out all the stops to get his own back.”

(You can read the whole article here.)

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Let me cast my eyes down sweetly and say that things like that couldn’t possibly happen in Toronto.

Right?

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In the same spirit of fun, here is an Indiana University student having some fun with the Super Mario Brothers on the 3-year-old Seward Organ (made by C.B. Fisk) at Auer Hall, followed by some Pirates of the Caribbean:

John Terauds

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