CRITIC’S PICKS | 10 Musical Outings You Absolutely Must Do This Week
By Michael Vincent on November 18, 2014
(Continue reading)
We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
Get the weekly email about classical music and opera that is actually enjoyable.
Join our growing community of 150,000 readers, for free.
By Michael Vincent on November 18, 2014
(Continue reading)
By Paul E. Robinson on November 17, 2014
One might be forgiven for thinking that the strong Canadian presence in this performance is the key to its success. Baritone Russell Braun and conductor Yannick Nézet-Séguin are both in top form. And director Des McAnuff, formerly the artistic director of the Stratford Festival, has produced a fresh and powerful interpretation of Gounod’s perennial favourite.
(Continue reading)By Lev Bratishenko on November 17, 2014
It is a mystery why Shostakovich’s Lady Macbeth of Mtsensk is performed so rarely. This wild opera was written in 1932 and it only premiered at the Met in 1994 with a production by Graham Vick that returned last Monday. The production remains silly, the opera magnificent.
(Continue reading)By Michael Vincent on November 16, 2014
This week on musicaltoronto.org, we recount some of the weeks most compelling reviews, news, and events...
(Continue reading)By Michael Vincent on November 15, 2014
Hailing from Prince George, BC, Jonathan Crow has become one of Canada's leading violinists. After his studies at the Victoria Conservatory of Music, he moved to Montreal to attend McGill University. At age nineteen he graduated, and was made Concertmaster of the Orchestre symphonique de Montréal - making history as the youngest concertmaster of a major North American orchestra. He joined the Toronto Symphony Orchestra as Concertmaster in 2011.
(Continue reading)By Michael Vincent on November 14, 2014
A symphony concert featuring Beethoven and Mozart is as regular as regular gets. But when you combine it with the young piano dynamo Jan Lisiecki, visiting Danish conductor Thomas Dausgaard and clinch it with Carl Nielsen’s Fourth Symphony, you have something much more interesting.
(Continue reading)By Robin Elliott on November 14, 2014
(Continue reading)
By Jenna Douglas on November 12, 2014
(Continue reading)
By Member on November 11, 2014
The International Resource Centre for Performing Artists is a dedicated service organization for Musical Artists. It was incorporated in 1985 to (a) support freelance performers in the music field to make the transition from student to professional and to assist them to reach their goals at various stages in their careers, and (b) To inform and inspire audiences with increased knowledge and appreciation of the development of Canadian musical performing artists. Programs are designed to enable performers to grow in their artistry and gain access to international contacts of the highest standards, in order to be employed at home and abroad.
(Continue reading)By Paul E. Robinson on November 11, 2014
Anne Akiko Meyers made news last year when an anonymous donor gifted her the lifetime use of one of the world’s great violins, the ‘Ex-Vieuxtemps’ Guarneri del Gesu, crafted in 1741. This year she’s in the news again for putting her Guarneri to excellent use in the service of exceptional works by American composers in an album called The American Masters. This album features world premiere recordings of the Violin Concerto by Mason Bates and Lullaby for Natalie by John Corigliano. Samuel Barber’s Violin Concerto (1939), an established classic, rounds out the disc. For the record, Anne made his first recording of the Barber 26 years ago, in 1988.
(Continue reading)