We have detected that you are using an adblocking plugin in your browser.
The revenue we earn by the advertisements is used to manage this website. Please whitelist our website in your adblocking plugin.
Get the weekly email about classical music and opera that is actually enjoyable.
Join our growing community of 150,000 readers, for free.
By Michael Vincent on January 17, 2015
There may have been no birthday cake served for Mozart’s party on Thursday night, but patrons at Roy Thomson Hall were treated to fulsome cuisine, complete with one serenade, one piano concerto, one sonata and, for dessert (flambéed, of course), a symphony...
(Continue reading)By Neil Crory on January 16, 2015
On Wednesday evening the Canadian Opera Company announced its 2015-2016 season in Grand Opera style. No exclusive little cocktail party for a handful of press here – instead General Director, Alexander Neef went straight to his public and pulled out all the stops. Over a 90 minute programme he offered the crowd of over 1700 an 'event' overflowing with informal chat, Q & As, video segments, interviews, live music, surprise guest singers, a full orchestra conducted by COC Music Director, Johannes Debus - and the complete Act II finale of Mozart's The Marriage of Figaro. Brent Bambury, the affable CBC Radio One host, functioned as moderator and kept the various elements moving along in a quick and orderly fashion. With the massive set for Richard Wagner's Die Walküre in the background, all that was missing was the chorus...
(Continue reading)By Paul E. Robinson on January 15, 2015
Most music-lovers and performers too take it for granted that they know pretty much what Brahms should sound like. No need for the historically informed folks to get involved. In fact, however, there are still issues to be considered and we do need to look at period performance practice. Neither of these new sets claims to be “historically informed” but one in particular – the Chailly with the Gewandhausorchestra – shows that a lot of thinking and research has gone into the preparation and rehearsal process...
(Continue reading)By Michael Vincent on January 14, 2015
Tonight marks the Canadian Opera Company’s Season Launch Event ushering in a new season, and a number of exciting new initiatives for Canada's premiere opera company. Musical Toronto’s opera expert, Neil Crory will be on hand to cover the event, and also discuss the news with COC General Director, Alexander Neef. Until then, here is a brief overview as well as the entire press release reprinted below...
(Continue reading)By Member on January 14, 2015
Are you an advanced amateur musician looking for an opportunity to connect with other musicians who share your passion? The TSM Community Academy invites you to play and sing for pleasure and push your abilities to a new level, while spending a week with artists of the Toronto Summer Music Festival. The Community Academy offers advanced amateur musicians a unique opportunity to hone their skills and take part in Toronto’s premier summer classical music festival. Participants will enjoy access to all mainstage TSM Festival Concerts, lectures, and events (Aug 2-9) and the program includes the possibility of a performance onstage at Walter Hall...
(Continue reading)By Michael Vincent on January 13, 2015
Musical Toronto’s weekly Critic’s Picks are a fully curated list of some of the best concerts happening now through the end of the week. Of course this is not to say we are the provocateurs of taste, but simply seek to provide a good weekly summary. For a look at the full breadth of what’s available in and around Toronto, check out the comprehensive concert listings from our friends at Wholenote Magazine...
(Continue reading)By Michael Vincent on January 13, 2015
(Continue reading)
By Neil Crory on January 11, 2015
(Continue reading)
By Colin Eatock on January 10, 2015
The Juilliard String Quartet played at the Jane Mallet Theatre on Thursday evening – bringing with them a chilly program for a chilly January night. The program was part of Music Toronto’s Contemporary Classics series...
(Continue reading)By Michael Vincent on January 9, 2015
In honour of the victims of the Charlie Hebdo massacre in Paris, the Allegri Quartet organized a massive ensemble of 150 string players to perform Samuel Barber’s Adagio for Strings in London’s Trafalgar Square last night. By all accounts it was an extraordinary and moving tribute...
(Continue reading)
