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By Michael Vincent on May 31, 2018
In a surprise coup for Toronto’s small independent opera companies, this is the first time in 40 years that the Canadian Opera Company have been surpassed in nominations.
(Continue reading)By Joseph So on May 31, 2018
Ludwig van Toronto continues our coverage from the 2018 Concours musical international de Montréal, which yesterday saw 16 singers battle it out in the Aria Division.
(Continue reading)By Joseph So on May 30, 2018
Ludwig van Toronto begins our coverage of the annual Concours musical international de Montreal, which opened yesterday with the First Round of the Art Song competition.
(Continue reading)By Paul E. Robinson on May 30, 2018
This new recording with Alexei Ogrintchouk, principal oboist of the Royal Concertgebouw Orchestra, accompanied by colleagues from the RCO and conducted by Andris Nelsons. offers a detailed and intense performance of Richard Strauss later works.
(Continue reading)By Joseph So on May 28, 2018
Classical music and opera events happening in and around Toronto for the week of May 28 – June 3.
(Continue reading)By Joseph So on May 26, 2018
Sopranos Danika Lorèn and Samantha Pickett, mezzo Megan Quick, and baritone Bruno Roy bid farewell to COC Ensemble Studio before leaving the nest in the final concert of the season.
(Continue reading)By David Podgorski on May 26, 2018
The Toronto Consort hits the ball out of the park with an in-concert performance of Orfeo by the father of opera, Monteverdi.
(Continue reading)By Joseph So on May 26, 2018
A group of 20 musicians are coming together as "Inglorious Women" to raise funds for underrepresented women in need of legal assistance and counselling.
(Continue reading)By Michael Vincent on May 25, 2018
Toronto City Council has clawed back funding expected by the Canadian Opera Company (COC) and Toronto Symphony Orchestra (TSO) for the 2018-19 season.
(Continue reading)By Jennifer Liu on May 24, 2018
Following our independent investigation on major errors in a federally funded study on salaries of arts administration staff last week, we found more needs to be done — from publishing reliable information that arts organizations may use to inform their operations, to working with a cross-section of industry players to shape funding policies.
(Continue reading)
