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By Paula Citron on October 13, 2018
What happens when two acclaimed indie theatre companies, both with a penchant for plays on the edge, decide to co-produce a production? The answer is The Nether by award-winning, Los Angeles-based playwright Jennifer Haley.
(Continue reading)By Hye Won Cecilia Lee on October 12, 2018
Ludwig Van's Cecilia Lee chats with Chilly Gonzales about his early days living in Montreal and Toronto, his move to Europe, and his love of the inner workings of music, no matter the genre.
(Continue reading)By Joseph So on October 10, 2018
We chat with the Canadian tenor Isaiah Bell about working with Rufus Wainwright, being open to vulnerability, and his experience preparing for his leading role in the COC's upcoming production of Hadrian.
(Continue reading)By Hye Won Cecilia Lee on October 9, 2018
Esprit Orchestra's 2018-19 season features varied works that will surely challenge, comfort, and intrigue searching ears.
(Continue reading)By Ludwig Van on October 8, 2018
Courtesy of our friends at The Toronto Consort, we are sending you and a friend to see there season opener at Trinity-St Paul’s. Contest closes Monday, Oct. 15, 5 p.m. Enter now!
(Continue reading)By Joseph So on October 8, 2018
Classical music and opera events happening in and around Toronto for the week of October 8 – 14.
(Continue reading)By Jennifer Liu on October 7, 2018
Hafez Nazeri’s Rumi Symphony Orchestra project with acclaimed Iranian singer Shahram Nazeri has become one of the most talked classical releases in recent times, resulting in a #1 spot on the Billboard charts. We chat with Nazeri about his creative journey, and the divide between past and present, which has been fraught with obstacles.
(Continue reading)By Arthur Kaptainis on October 6, 2018
'Best Orchestra in Canada' is typically thought to be a fixed competition between three or four contenders. Last night's concert at Koerner Hall shows us that The Orchestre Métropolitain is one of them.
(Continue reading)By Joseph So on October 6, 2018
Canadian Bass-Baritone Gordon Bintner chats about his return to Toronto to sing the title role in The Canadian Opera Company's production of Eugene Onegin, and the process which informs his artistic practice.
(Continue reading)By Robin Elliott on October 5, 2018
After hearing the Poulenc Trio perform for Women’s Musical Club of Toronto, it makes us wonder what is behind the neglect for this astonishing combination of instruments.
(Continue reading)
