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Canadian Opera Company | Espiral by OKAN (online)
With a name that means “heart” in the Afro-Cuban religion of Santeria, the Toronto-based women-led group OKAN crafts songs that explore immigration, courage, and love. Having received JUNO, Canadian Folk Music, and Independent Music Award nominations for their debut album Sombras, OKAN's sophomore offering, Espiral delves deeper into the group's rich Cuban roots, finding renewed inspiration […]
Find out more »Canadian Opera Company/Against the Grain | Mozart’s Requiem (online)
This multi-disciplinary presentation in collaboration with Against the Grain Theatre invites us to reckon with the impact of COVID-19—and heal together through the power of Mozart’s astonishingly moving Requiem. Incorporating interviews with front-line medical workers and community members directly affected by the pandemic, this interpretation conceived by Joel Ivany and Johannes Debus connects individual stories […]
Find out more »7:30 pm
Toronto Symphony Orchestra | Celebrate 100: Maestros’ Special Homecoming
Gustavo Gimeno, conductor / Peter Oundjian, conductor / Jukka-Pekka Saraste, conductor / Günther Herbig, conductor / Sir Andrew Davis, conductor Marion Newman, host Berlioz: Roman Carnival Overture Delius: The Walk to the Paradise Garden Wagner: Overture to Tannhäuser Sibelius: “Lemminkäinen and the Maidens of the Island” from Lemminkäinen Suite Alexina Louie: The Ringing Earth Smetana: […]
Find out more »Pax Christi Chorale | Considering Matthew Shepard
With Megan Miceli (soprano), Camille Rogers (mezzo-soprano), Vicki St. Pierre (mezzo-soprano), Alex Samaras (tenor/baritone), Phillip Addis (baritone) and a chamber ensemble featuring the Odin Quartet (Tanya Charles Iveniuk, violin, Alex Toskov, viola, Samuel Bison, cello), Brent Crawford (guitar), Kaye Royer (clarinet), Christina Faye (piano) and Naoko Tsujita, (percussion).
Find out more »8:00 pm
Royal Conservatory | Dianne Reeves
Five-time Grammy Award-winning vocalist Dianne Reeves’s timeless voice and enthralling performances have made her the “most admired jazz diva since the heyday of Sarah Vaughan, Ella Fitzgerald, and Billie Holiday” (The New York Times).
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